I like this episode, because this is where Evolution starts to catch its stride and find its voice. “Middleverse” is kind of a mess animation-wise, but it’s also a one-off, a lighthearted breath of fresh air before we dive headfirst into the Big Ongoing Story next episode.
It also gets bonus points for being a Forge episode, which is almost always a plus. Comics Forge tends to be dark and brooding and at the center of convoluted storylines and soap opera, but two out of three animated Forges are uncomplicatedly delightful. The best animated Forge, of course, is Wolverine and the X-Men Forge, who just straight-up is Miles to the extent that we had his action figure in college and more than one person assumed it was a custom portrait. But Evolution Forge is pretty great, too.
Let me get this out of the way fast: “Mutant Crush” is my least favorite episode of X-Men: Evolution. Yes, even more than “The Cauldron,” which I’m pretty sure is objectively the worst episode of the series.1
But while “The Cauldron” is terrible, it’s hilariously terrible. “Mutant Crush” is. Well. It’s a decently written episode, I guess. And it’s got a lot of moments I dig. It’s just also really fucked up and disturbing, and not in hilarious and pedantic ways.
Seriously: Shit gets dark in this episode. If you don’t want to read a humorous write-up of a story that is essentially about stalking and kidnapping, you may want to skip this one. I recognize that this is essentially a humor column, and I tried to find okay ways to be funny about this episode, but I mostly ended up with a lot of tonal whiplash, and a pretty high volume of commentary on the ways women are socialized to appease violent men, and some really inappropriate references to John Fowles’ The Collector.2
And on that note: Here is a link to the National Domestic Violence Hotline’s help page. NDVH is a pretty solid organization, and in addition to the actual hotlines–which include a phone line and web-based chat, both confidential and anonymous–they’ve got a very good list of resources, including LGBTQI and teen-specific stuff. (NDVH is, however, mostly U.S.-specific. If you know of international resources or have other specific recommendations, please stick ‘em in the comments, and maybe we can get something useful out of this clusterfuck of an episode.)
In which we more or less prepare you for the upcoming feature film; Rachel Summers is a black hole of continuity; Kitty Pryde breaks the Danger Room; Earth 200500 is clearly the best earth; even the X-Men have no idea what’s going on; First Class Emma Frost is so boring that we forget she exists; wolverines are definitely not wolves; and you can have Rachel’s Community references when you pry them from her cold, dead hands.
X-Plained:
Rachel Summers
“Days of Future Past”
Gravestone engraving standards of 2013
The Mostly-New, Mostly-Different Brotherhood of Evil Mutants
Another unfortunate hat
Causality in the Marvel Multiverse
Earths 811, 1191, 295, 311, and 200500
Hall monitors with laser rifles
How to fix a broken timeline
The X-Men cinematic universe, and points of divergence from the comics
The one thing X-Men: The Last Stand does right
The Xavier Index of Cinematic Continuity
The difference between Canis lupus and Gulo gulo
A Days of Future Past cinematic cram course
Fix-it fic
Blink, Bishop, and dark-future mash-ups
The enduring appeal of Earth-811
The significantly less enduring appeal of Earth-242
The Nazi Excalibur of Earth-597
You can find a visual companion to the episode – and links to recommended reading – on our blog.
