Jay & Miles X-Plain the X-Men

As Mentioned in Episode 349 – Onslaught Secret Weapon Force Power Slammers

Listen to the episode here.


349 – Onslaught Secret Weapon Force Power Slammers

Art by David Wynne. Wanna buy the original? Drop him a line!

In which Onslaught nomenclature has some consistency issues; electricity is the new magnetism; Nate Grey mopes; Sinister doesn’t care about your guns; the Xavier mansion blows up (again); and we track down an elusive Sentinel.


  • Doctor Doom’s absolutely irrelevant Onslaught encounter
  • Cable #34
  • Incredible Hulk #444
  • X-Man #18
  • X-Force #57
  • Onslaught Phases vs. Impacts
  • Ozymandias (more) (again)
  • Post (more) (again)
  • Cable’s ridiculous motorcycle
  • Several Hulks
  • Behemoth
  • Cable/Storm
  • The Betty Conspiracy
  • Rocks that yell
  • Alpacalypse
  • Multiversal disambiguation
  • Some unlikely sound effects
  • An anti-Sinister failsafe
  • A self-destruct system
  • Warpath and Risque
  • A hug
  • A very specific Sentinel
  • Coming out in adulthood

NEXT WEEK: Hawk Talk

NEXT EPISODE: Somehow We Have Made 350 of These (and also more Onslaught)

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On Coming Out, Queer Identity, and Continuity in All-New X-Men #40

by Jay Edidin (as Rachel Edidin)

This article originally appeared at Playboy.com under the title “One of the Original X-Men Is Gay – And It Matters More Than You Think”; reposted with permission. Special thanks to Marc Bernardin.


If you’ve been online in the last couple days—and especially if you follow comics— you’ve probably heard the news: Earlier this week, The Advocate posted a handful of leaked pages from All-New X-Men #40, out today from writer Brian Michael Bendis and artist Mahmud Asrar, in which a time-displaced teenage Iceman comes out as gay.

To understand why this is such a big deal, you need to know a little bit about the X-Men. This isn’t Marvel introducing a new queer character, getting accolades for diversity, and then quietly shelving them (Remember America Chavez?1) Bobby Drake — Iceman — is one of the OGs of one of Marvel’s biggest lines, a character with 50-plus years of cross-media name recognition. There’s a generation of kids who know him from the movies; another who grew up watching him on Spider-Man and His Amazing Friends. If this sticks — which it seems likely to, at least until the upcoming Secret Wars2 event tosses an immersion blender into the Marvel Universe — it fundamentally changes the landscape of queer visibility in superhero comics on a scale no other character’s coming out has.

ANXMEN40That this is happening in an X-title is also significant: the X-Men have a large, dedicated, and markedly diverse fanbase; one that tends to be particularly attuned to representation of minority issues. There are a couple reasons for that.

The X-Men themselves are outsiders; and their outsider status is fundamental to their core premise, even when they’re not being written as a direct allegory for a specific marginalized group. As a teenager, I gravitated to the X-Men not because they offered a pointed metaphor for my sexual orientation, but because I identified with their liminality. The X-Men are superheroes for the rest of us — superheroes whose relationships to their powers and identities are often painful and fraught, superheroes who operate on the margins of both genre and society because of who they are.

But there’s been a consistent gap between what the X-Men represent in theory or allegory and whom they represent in practice. They’re used with striking frequency as a direct and obvious proxy for sexual minorities — but at the same time, within their stories, queerness is almost exclusively relegated to allegory or subtext (Storm, Shadowcat). The few openly queer characters in the franchise (Anole, BLING!, Karma, Rictor, Shatterstar) rarely make it further than bit roles. The most prominent openly gay X-Man is Northstar, a B-list character whose primary association is with a different team and title.3

So, while representations of queerness and coming out in superhero comics matter across the board, they matter a particular lot — and draw (and deserve) particularly close scrutiny — in X-Men. And the conversation around Iceman’s coming out has been, pardon the pun, more than a little heated.

Of course, the catch is that if we’re going to have a serious conversation about this story, we’re going to need to delve into two of the most complex and controversial fields: sexual orientation and identity; and X-Men continuity.

Fasten your seatbelts.

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