Tag: Chris Bachalo
528 – Welcome to the Slippery Slope
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In which friends don’t let friends drink sparkling wine at the Hellfire Club; Cyclops is a Silent Hill protagonist; Fantomex is a cool dude; John Sublime has his grubby little fingers in everything; and three men do a lot of things to avoid going to therapy.
X-PLAINED:
- What happened to the World
- Weapon XVI
- New X-Men #142-145
- Fantomex (more) (again)
- The Weapon Plus program
- A large number of things men will do instead of going to therapy
- How to murder a nice, romantic mood
- The Hellfire Club, the rest of the time
- Jake Danials Whisky
- A drinking contest
- The Mysteries of Harris Burdick
- The World
- Weapon XV
- A series of B&Es
- Advanced Idea Mechanics (A.I.M.)
- Car cops
- Weapon XV’s feelings
- Weapon Plus’s secret space headquarters
- Education at the Xavier School
- Gender-swapped superheroes and heirs to superheroes
NEXT EPISODE: Magneto, unmasked!
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As Mentioned in Episode 362 – Lazy Summer Day
Listen to the episode here.
LINKS & FURTHER MISCREANTS
- Waiting for the Trade re: the Danger Room and what’s been done there.
- For more about Tana Nile, Howard the Duck, and Franklin Richards, check out Giant-Size Special #10!
- X-Factor, summarized.
362 – Lazy Summer Day
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In which Chris Bachalo draws excellent critters; Bastion is a terrible boss; everyone fucks in the Danger Room; Jubilee fails a midterm; and humans were the real monsters all along.
X-PLAINED:
- The worst mutant power
- Generation X #20-21
- X-Factor #127
- Bachalo critters
- Bastion (more) (again)
- Daria (but not the one you’re thinking of)
- Chevy the janitor (again)
- Mean Cuisine
- Harker the cat
- A threatening salad
- Yet another time-traveling Nate
- Flirting
- A movie reference
- U.S.1 and Baron von Blimp
- Several ways to fail a midterm
- “Autism”
- Miguela Torres
- Trevor Chase
- A series of interviews
- Richard Starkings and Comicraft
- Destiny’s absence from film
NEXT EPISODE: Baseball!
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Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
Buy rad swag at our TeePublic shop!
As Mentioned in Episode 233 – Electromagnetism Unlimited
233 – Electromagnetism Unlimited
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In which X-Men Unlimited begins; Cyclops’s powers remain wildly inconsistent; electromagnetic fields are the gamma rays of the early ‘90s; Siena Blaze should probably take some science courses; Magneto is a complex dude; and the Marvel Universe could really use adequate mental healthcare.
X-PLAINED:
- Tradeoffs
- X-Men Unlimited
- Several other Unlimited series
- The Gregorian calendar
- Chris Bachalo
- Storm’s-eye view
- Electromagnetic fields
- Diverse approaches to problem-solving
- One of Cyclops’s many issues
- An unfortunate encounter with Magneto
- A memorial
- Magneto, his origins, and his many pseudonyms
- The Victor Von Doom paradox
- A terrible plan
- Physical mannerisms in comics
- An unfortunate encounter with Magneto, revisited
- Mental healthcare in the Marvel Universe
- What happened to the Soul Sword
NEXT EPISODE: FATAL ATTRACTIONS
Special thanks to consulting X-Pert @beccastareyes!
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Find us on iTunes or Stitcher!
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Video Review Redux – Rachel’s Favorite Panel
Hi. Rachel here.
I talked some about our panel of the week in this week’s video reviews, but I think it’s a panel whose effectiveness is much better illustrated via static images, so I’m posting this here as a supplement.
This is a panel that grabbed me immediately. It’s the kind of beat I look for in comics–the stillness where you often find the most powerful and subtly significant moments in a story.
Here’s the panel, in isolation. It doesn’t look like much on its own, right?
Here’s the full spread it’s part of. Pay attention to how people are standing: this moment is all about body language.
Can you see it yet? If you’re still having trouble, here’s a hint: Follow the hands–Cyclops’s, in particular.
See what I mean? Is your heart breaking a little right now? It should be.
I would love to see the script for this spread–whether that moment was written, or if Bachalo improvised it; and how it was described relative to how it was drawn. As is, it’s one of the most powerful emotional beats of the story–if you know what to look for.
The fallacy that comics are easy and simple to read is dependent, I think, on the idea that reading is a skill specific to written language. In fact, the language of comics–that integration of visual and verbal, the ways static images can convey and evoke movement and passage of time and a thousand other minute nuances–is incredibly, exquisitely complex and rich. They’re not just illustrated stories. They’re their own discrete medium.
And it’s when creators–and readers–understand those things that comics can really, really get good.

