In which continuity has its eyes on you; the multiverse is so complex that we have to drag Al Ewing out of the audience to X-plain it; the X-Men mean a lot of different (but mostly compatible) things to all of us; we will accept any retcons necessary to maintain Magneto’s history as a Holocaust survivor; and ECCC rocks our world.
Alternate universes vs. alternate timelines
Definitive alternate-timeline X-Men
The weird joy of reading comics out of order
That one alternate timeline where Storm has a leather jacket and is hooking up with Wolverine
The only happy Cyclops in the multiverse
What makes the X-Men the X-Men
Intersections we’d like to see explored in canon
The appeal of universe-hopping
Relative ratios of metaphors to punching
Proof of concept in comics publishing
Battleworld characters we’d like to import into the 616.1
Which X-Men should get solo series
NEXT WEEK: X-Terminators!
CORRECTION: During the panel, Jay claimed that Spider-Man had been married for their entire life. Jay was in fact five years old when Spider-Man got married. We regret the error, but maintain our stance that Spider-Man is totally married.
You can find links to all our ECCC coverage–as well as a live video of the Hamilton cold open, from the Phoenix Comics party–on our blog!
In which writer G. Willow Wilson joins us to talk about her new run on X-Men; the Future is really confusing; we consider the many iterations of Rachel Grey; Storm probably has strong feelings about climate change; and writing for a shared universe takes some seriously fancy footwork.
Shogo (a little)
The future vs. the Future
X-Men vols. 1-4
The logistics of stepping into a book mid-series
Pigeonholing and “girl” books
The proper pronunciation of Kamala
Rachel Grey (again)
Writing in a shared universe
The gender politics of telepathy
Writing and dialogue across media
Marginalization, intersectionality, and the mutant metaphor
Next Week: Pink robots from the future!
You can find a visual companion to this episode on our blog!
While the Super Doctor Astronaut Peter Corbeau Awards for Excellence in X-Cellence* officially made their debut in last week’s Giant-Size Special, we wanted to take a moment to revisit them: the X-books, creators, and concepts that rocked our year.
If your name–or a project to which you contributed–appears on the list below,** and you would like an actual, physical Corbeau Award to hang on your wall, please drop us a line, and we will make and mail you one. It will be beautiful and classy as hell, it will definitely involve some glitter glue.
And so, without further ado, it is out great pleasure to present:
THE 2014 SUPER DOCTOR ASTRONAUT PETER CORBEAU AWARDS FOR EXCELLENCE IN X-CELLENCE!
Best X-Writer – Brian Michael Bendis, for Uncanny X-Men, All-New X-Men, and general line architecture
Best X-Artist – Kris Anka, for Uncanny X-Men and general visual and costuming impact
Best X-Colorist – Chris Sotomayor, for Cyclops
Best X-Letterer (Now and Forever) – Tom Orzechowski, for everything ever forever
Jean Grey Award for Creative Resurrection – Nightcrawler (Amazing X-Men)
Best New Character – Forget-Me-Not (X-Men Legacy #300)
Best Complete Arc – Cyclops #1-5, by Greg Rucka, Russell Dauterman, Chris Sotomayor, Carmen Carnero, et. al.
Best Soap Opera – All-New X-Men, by Brian Michael Bendis et. al.
Silver Lining Award – Death of Wolverine: The Logan Legacy #4, by Marguerite Bennett, Juan Doe, et. al.
Golden Retcon – X-Men: Days of Future Past
Irene Adler Award for Most Anticipated Future Run – G. Willow Wilson onX-Men
About Damn Time – Storm, by Greg Pak et. al.
Cyclops Has a Good Day Award – Wolverine and the X-Men #40, by Jason Aaron, Pepe Larraz, et. al.
Best Listeners of Any Podcast Ever – YOU**
CLASSIC CORBEAUS (for older X-material covered in the podcast during 2014)
Harvey and Janet Award for Best Walk-On – The staff and guests of the Heartbreak Hotel
Lost Treasure – Beauty and the Beast, by Ann Nocenti, Don Perlin, et. al.
Sure, Why Not? – The Leprechauns of Cassidy Keep
Still the Best Issue After All These Years – Uncanny X-Men vol. 1 #137
*Did you know you can just straight-up make up your own awards and give them to whomever you want? The Internet is awesome, y’all.
**LOOK! IT’S A COLORING CONTEST!
Listeners, while we love you dearly, we do not love you quite enough to make and mail all roughly ten-thousand of you your own Corbeaus. If you want a Corbeau of your very own, you’ve got two options:
1) Make your own, using the art below. We officially certify that it will be official and the Real Deal, and if anyone challenges you on that, we will glare meaningfully in their direction.
2) Show us your coloring skills. That’s right. It’s a CORBEAU COLORING CONTEST. Color the following image using in any medium you want: digital art, crayons, spray-painted macaroni–the sky is the limit. E-mail us a picture of your work at xplainthexmen(at)gmail(dot)com, with the subject line CORBEAU COLORING CONTEST, by January 14 January 21. The listener whose Corbeau comes closest to the transcendent perfection of its namesake will receive a physical Corbeau–glitter glue and all–to hoard privately or share with their remaining nine-thousand-odd peers at their discretion.
Alternately, Rachel made this in Blingee. Use it as you see fit: