Art by David Wynne. Prints and cards available until 8/9/2015 in the shop (once Redbubble’s uploader starts working again, anyway), or contact David for the original.
Just another 70’s monster comic. You’d never know it was about an X-Man. (Amazing Adventures #11)
Drama, destruction, and slightly off-model mutants. (Amazing Adventures #11)
Flashback to Hank leaving the X-Men. Who knows if he’ll ever come back? (Amazing Adventures #11)
In which Carl Maddicks is a total jerk, and Hank McCoy is very good at science. (Amazing Adventures #11)
Great use of panel borders by Tom Sutton on this page. (Amazing Adventures #11)
The Beast at the height of his invulnerability and his creepiness. (Amazing Adventures #11)
Spectacularly horrific splash page by Tom Sutton and Mike Ploog (Amazing Adventure #12)
The closet’s just more trouble than it’s worth. (Amazing Adventure #12)
A visually striking panel of Iron Man flirting with the Beast. (Amazing Adventure #12)
Don’t panic; nothing on this page is actually happening. (Amazing Adventure #12)
Mastermind is as long-winded as Unus is unimpressed. (Amazing Adventure #13)
The Carnival is a haven for the strangest of mutants and the saddest of clowns. (Amazing Adventure #13)
Two mysterious and seemingly boring people arrive at the super-science ultra-mega-labs of the Brand Corporation. (Amazing Adventure #13)
This Beast is a little intense. (Amazing Adventure #13)
When Mastermind loses, he loses hard. (Amazing Adventure #13)
Drama in pajamas. (Amazing Adventure #14)
If you’ve never met Quasimodo the Living Computer… You’re probably fine, actually. (Amazing Adventures #14)
We never learn why Hank went to Patsy’s place to collapse, but the more important question is, why does she keep that Target dorm room floor lamp right in front of the door?(Amazing Adventures #15)
Hank really hasn’t been running his whole life, but film noir dialogue seems appropriate for the debut of the black (soon to be blue) Beast. (Amazing Adventures #15)
At the Xavier School, Scott stands silently in shadow, while Charles and Jean won’t let Warren use the switchboard. (Amazing Adventures #15)
Angel takes things in stride. (Amazing Adventures #15)
Nothing can defeat the hugging power of the Beast. (Amazing Adventures #15)
Hank meets Roy Thomas, and the Juggernaut literally falls out of the sky. (Amazing Adventures #16)
Meanwhile, in Canada… (The Incredible Hulk #161)
Hank continues to make odd choices in pretty much everything. (The Incredible Hulk #161)
The Hulk drops in. (The Incredible Hulk #161)
Wheel of mutants (this is all part of Nixon’s plan). (Captain America #174)
This is what happened in the 616 instead of Watergate. (Captain America #175)
Edward G. Robinson shows up at Avenger auditions. (Avengers #137)
Introducing the new smiling, fun-loving Beast. I wonder why his eyelids are so heavy? (Avengers #137)
The soothing effects of Stevie Wonder and Carlos Castaneda. (Avengers #137)
Patsy Walker finally lives her dream. (Avengers #144)
Family drama at the Indian restaurant. (Marvel Team-Up #124)
Hank has a bad day at the disco. (Avengers #178)
NEXT WEEK: Everything is terrible.
Special thanks to our awesome guest hosts, Elle Collins and Graeme McMillan, who not only covered the episode, but also provided this visual companion AND answered a bunch more questions in text (we’ll be posting those later this week). If you love Elle and Graeme as much as we do and want to hear more of ’em, here’s where to find those two on the web:
In which Elle and Graeme save the day; Hank McCoy joins the real world (sort of) (briefly); Carl Maddicks may or may not be undead; academic discourse in the Marvel Universe leaves a few things to be desired; Steve Englehart is an unsung hero of X-Men; Mastermind lives up to his name; Warren Worthington has a good attitude about mutation; and Avengers Beast is the best Beast; and Graeme has strong feelings about Moira MacTaggert.
X-PLAINED:
The complex romantic life of Patsy Walker
The increasingly terrible life choices of Hank McCoy
Amazing Adventures #11-17
Incredible Hulk #161
Captain America #173-175
Avengers #137, 144, & 178
Marvel Team-Up #124
Life after the X-Men
The Brand Corporation
Carl Maddicks (again)
Vampire Secret Agent Linda Donaldson
The dubious chemical cause of mutation
Beast as proto-Wolverine
Steve Englehart
The high price of passing
Several unusually realistic latex masks
Norman Mailer’s Handbook for Unliberated Women
Sad clowns
Buzz Baxter
Hellcat (Patsy Walker)
Someone who might be Carole King, Indira Gandhi, or your sister (but isn’t)
Questionable corporate practices
Quasimodo (but not that one)
Semantics of fur color
The Griffin
The Secret Empire
Actual supervillain Richard Nixon
Mimic (Cal Rankin)
Avengers Auditions
Best Beast stories
Scotland
Special thanks to guest hosts Elle Collins & Graeme McMillan!
NEXT WEEK: Everything is terrible.
You can find a visual companion to this episode on our blog!
Rachel and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
Art by David Wynne. Prints and cards available until 5/10/2015 in the shop, or contact David for the original.
We really can’t blame her. (Uncanny X-Men #202)
You’d think Piotr would have caught on to the existence of spandex by now, what with being a superhero and all. (Uncanny X-Men #202)
Daaaaaaaang. (Uncanny X-Men #202)
Well, that’ll end well. (Uncanny X-Men #202)
Aw, kiddo. (Uncanny X-Men #202)
A miracle of magnetism! (Uncanny X-Men #202)
The Beyonder sucks, y’all. (Uncanny X-Men #202)
I know it’s just a flashback, but man, Rogue, serious dick move there. (Uncanny X-Men #203)
Don’t worry–we’ll X-Plain this whole thing at more length next episode. (Uncanny X-Men #203)
Whaaaaaaaaaaat. (Uncanny X-Men #203)
I’m pretty sure no one ever brings this up again, which seems weird in retrospect. (Uncanny X-Men #203)
The Phoenix Force lends itself to some damn cool layouts. (Uncanny X-Men #203)
And again. (Uncanny X-Men #203)
And then the Beyonder went away and everyone lived happily ever… HA NO JUST KIDDING. (Uncanny X-Men #203)
THAT COVER, THO (Uncanny X-Men #204)
Nightcrawler likes Secret Wars about as much as we do. (Uncanny X-Men #204)
There are some very specific benefits to living in a comic-book universe. (Uncanny X-Men #204)
How do people always work out what’s going on so quickly? “Oh, I must clearly be in a giant pinball machine.” Really? REALLY? (Uncanny X-Men #204)
NIGHTCRAWLER IS DELIGHTFUL. (Uncanny X-Men #204)
ARCADE IS ALSO DELIGHTFUL. (Uncanny X-Men #204)
Comics Should Be Fun: A Manifesto by Kurt Wagner. (Uncanny X-Men #204)
Nightcrawler and Arcade make really excellent mutual foils–both of them appreciate the theatricality of the genre in ways that few of their peers do. (Uncanny X-Men #204)
OKAY THEN (Uncanny X-Men #204)
At this point, the X-Men going to any kind of cultural event is basically an invitation for a super-fight to land on their front lawn. (Alpha Flight #33)
Well, then. (Alpha Flight #33)
Third-worst honeymoon ever. (Alpha Flight #33)
I know there’s plot-relevant stuff going on here, but can we also take a moment to appreciate Wolverine’s awesome opera suit? (Alpha Flight #33)
Awk-ward. (Alpha Flight #33)
“Seriously, what the hell, lady?” (Alpha Flight #33)
I wonder if James Hudson and Charles Xavier are friends. It seems like they would be. (Alpha Flight #34)
Yer a good kid, Wolverine. (Alpha Flight #34)
Not actually plot relevant. We just think it’s funny. (Alpha Flight #34)
Daaaaaaaamn, Barry Windsor-Smith. (Uncanny X-Men #205)
No, seriously: Daaaaaaaamn, Barry Windsor-Smith. (Uncanny X-Men #205)
Subtitle: “Someday Katie Power is going to make a therapist very rich.” (Uncanny X-Men #205)
Look at this awesome badass 5-year-old. (Uncanny X-Men #205)
That layout! (Uncanny X-Men #205)
It really sucks to be Wolverine a lot of the time. (Uncanny X-Men #205)
A) This page is amazing. B) Still can’t get over how much Barry Windsor-Smith’s Wolverine–drawn in 1986–looks like Hugh Jackman. (Uncanny X-Men #205)
Wolverine has reconsidered his stance on transhumanism. (Uncanny X-Men #205)
Kestrel and Jasper also love X-Men and Power Pack and X-Men: First Class, as well as the original animated series; but Katie cautions that all of those involve some adult themes you’ll need to either read around or be ready to have some challenging conversations about.
In which Secret Wars II ruins everything (more) (again) (forever); Rachel Summers hates the Beyonder almost as much as we do; Miles gets mad at comics; Nightcrawler does not do gritty well; Lady Deathstrike gets wired; and we consult our favorite 3-year-old for book recommendations.
X-PLAINED:
Rogue vs. Carol Danvers
Life before social media
Uncanny X-Men #202-205
Alpha Flight #33-34
Phoenix II vs. the Beyonder (twice)
The Reverse Gwen Stacy
Still more miracles of magnetism
Kitty Pryde disambiguation
SFLANNG!
Good times in Murderworld
The third-worst honeymoon
Lady Deathstrike (Yuriko Oyama)
Spiral’s Body Shop
The Reavers
One way to build a Wolverine antagonist
Skirting the Comics Code
Sound-effects lettering as a narrative device
Good X-books for a 3-year-old
Special thanks to Katie and Kestrel P.
NEXT WEEK: The Beyonder kills the New Mutants!
You can find a visual companion to this episode on our blog!
Rachel and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
Before we jump into this one, let me tell you kids a story.
Once upon a time, there was a gentleman by the name of Dwayne McDuffie. McDuffie was an incredibly important figure in comics: these days, he’s best known as the creator of Static Shock and the co-founder of Milestone Media; for his work across the DCAU; and as a tireless and outspoken advocate for black representation in superhero comics.
In 1989, when McDuffie was an editor at Marvel Comics, he wrote a biting, satirical pitch that has since become industry legend. In his pitch, McDuffie points out that 25% of African-American superheroes appearing in the Marvel Universe over the last year have had skateboard-based superpowers or fighting styles, and proposes a new team to take advantage of this and other equivalently exciting trends, featuring four black guys on skateboards:
Twelve years later, the fifth episode of X-Men: Evolution would introduce the Xavier Institute’s sole black student and the show’s first original character, Evan “Spyke” Daniels:
Art by David Wynne. Prints and cards available until 4/5/2015 in the shop, or contact David for the original.
Professor Xavier reacts to the Xorn retcons. (Uncanny X-Men #196)
Someone really needs to make a gif out of those three panels on the left. (Uncanny X-Men #196)
Not satisfied with his own series, the Beyonder derails someone else’s. (Uncanny X-Men #196)
This is so ridiculously rude. I mean, what if Father Bowen had been asleep, or naked, or talking to a parishioner, or something? “SURPRISE!” (Uncanny X-Men #196)
Kurt Wagner echoes some common criticisms of Secret Wars. (Uncanny X-Men #196)
Awkward. (Uncanny X-Men #196)
KITTY’S FACE. (Uncanny X-Men #196)
Given the parallels between Rachel Summers and Magneto’s backgrounds, it would have been really cool to see this relationship developed further. (Uncanny X-Men #196)
So doomed. (Uncanny X-Men #197)
Aw, these kids. (Uncanny X-Men #197)
Oh, hi, Phoenix II! (Uncanny X-Men #199)
While we’re on the subject: Check out Allie Kleber’s gorgeous design for a ballgown version of Rachel’s first Phoenix costume!
You can almost hear the slash fiction springing into being. (Uncanny X-Men #199)
We’d make “Rachel and Scott Summers pointedly fail to communicate” a drink cue, but no one’s liver deserves that. (Uncanny X-Men #199)
It is super weird how much Val Cooper looks like Tiffani-Amber Thiessen, given that Thiessen would have been eleven years old when this comic came out. Photo-reference of future past? (Uncanny X-Men #199)
“We’ll start by attacking a dude at a Holocaust memorial. It’ll be great practice for your PR team!” (Uncanny X-Men #199)
Rachel Summers was totally the best Phoenix. (Uncanny X-Men #199)
Magneto is a morally complex individual with really excellent hair. (Uncanny X-Men #199)
No matter how much you love your job, you will never love it as much as Mystique loves hers. (Uncanny X-Men #199)
Magneto’s speech here is important, but what you’re really looking at here is his well-tailored suit. You’d expect him to show up to his trial in something like this, right? (Uncanny X-Men #199)
NOPE. Why wear a conservative suit to your trial when you could wear opera gloves and a sleeveless unitard with an M pointing directly to your crotch? (Uncanny X-Men #200)
Neal Conan x-plains Magneto. (Uncanny X-Men #200)
“The counsels for the prosecution and defense have been selected based on the quality of their Joan Rivers impressions.” (Uncanny X-Men #200)
Oh, these assholes. (Uncanny X-Men #200)
So, basically, it’s Tuesday. Also: best editor’s note ever? Best editor’s note ever. (Uncanny X-Men #200)
I don’t think we talked about it in the episode, but this issue has the best damn sound effects. Seriously, I’m just gonna post a bunch of these, because they are great, and the lettering is aces. (Uncanny X-Men #200)
VYANNG! KRAKOOM! (Uncanny X-Men #200)
SKBOOM! (Uncanny X-Men #200)
RKOW! (Uncanny X-Men #200)
KTHAM! (Uncanny X-Men #200)
ZARK! TUNCH! BDAM! THIS LETTERING, Y’ALL. (Uncanny X-Men #200)
Let’s all take a moment to appreciate Kitty’s hella sweet outfit. (Uncanny X-Men #200)
You’re not wrong, Madelyne. (Uncanny X-Men #200)
There’s something intrinsically hilarious about Starjammers fly-bys. (Uncanny X-Men #200)
KITTY, FOCUS ON THE PROBLEM AT… oh. Sorry. That was in poor taste. (Uncanny X-Men #200)
Pretty sure that last speech balloon was supposed to be Kitty’s, not Scott’s. (Uncanny X-Men #200)
MAGNETO MADE SOME VALID POINTS. (Uncanny X-Men #200)
Agh, god, Tom Orzechowski’s sound effects are SO GOOD. (Uncanny X-Men #200)
Sir James Jaspers: total dick. (Uncanny X-Men #200)
CANON: This lady’s name is Judge Kickass. (Uncanny X-Men #200)
NEXT WEEK: ECCC special, featuring Kris Anka, Marguerite Bennett, Kieron Gillen, and Peter Nguyen! (No idea why this photo is showing up upside down, but it looks kind of rad, so we’re just gonna run with it.)
LINKS AND FURTHER READING:
We covered Uncanny X-Men #196 in Episode 38, and Uncanny X-Men #198 in Episode 45.
NPR reporter Neal Conan is a 100% real dude! For an extra meta moment, you can listen to him interview Stan Lee over here.
In which Magneto makes an official alignment shift; Claremont does a court drama; Professor Xavier makes poor choices; Rachel Summers comes by her communication skills honest; the Strucker kids are the evil Wonder Twins; and the podcast hits a major milestone!
X-PLAINED:
Xorn
Uncanny X-Men #196, 199, and 200
The X-Men status quo circa 1985
Magneto’s alignment shift
Beyonder-related existential crises
A hypothetical murder mystery
Minor vandalism as a harbinger of dark futures
Psi-scream
Brood classified ads
A thematic parallel
The tipping point in Scott and Madelyne’s relationship
The new, improved Magneto
The Professor Who Cried Wolf
Phoenix II
Earth-811/Earth-616 disambiguation
Freedom Force
The Trial of Magneto
NPR-616
James Jaspers
The best editor’s note
The mystery of Magneto’s age
Andrea & Andreas Strucker
What not to wear to court
A super icky sword
Phoenix morality
Sponsorship & conflict of interest
NEXT WEEK: Emerald City Comicon special with Kris Anka, Marguerite Bennett, Kieron Gillen, and Peter Nguyen!
You can find a visual companion to this episode on our blog!
Art by David Wynne. Prints and cards available until 3/22/2015 in the shop, or contact David for the original.
X-Men! (X-Men Annual #9)
New Mutants! (X-Men Annual #9)
Check out the gorgeous John R. Neill homage going on in that title card. (New Mutants Special Edition #1)
Karma, transformed. Adams draws her very differently–both more realistically and more recognizably–than Sienkiewicz or Leialoha; and it would be awesome to see a superhero with this as their default shape. (New Mutants Special Edition #1)
Marvel Asgard is basically the land of metal album covers. (New Mutants Special Edition #1)
Aw, Doug. No one appreciates you. (New Mutants Special Edition #1)
Asgardian Wars is chock full of pop-culture cameos and references. (New Mutants Special Edition #1)
GET IT? Not if you weren’t reading Longshot as it was coming out! (New Mutants Special Edition #1)
Warlock in a nutshell. (New Mutants Special Edition #1)
Bobby has found his element. (New Mutants Special Edition #1)
AMARA, WHAT IS THE FIRST RULE OF DEALING WITH FAIRIES? (New Mutants Special Edition #1)
The hands-down most awesome variation on the Darkchylde design. If only this had stuck around. (New Mutants Special Edition #1)
No, seriously, Shan is literally on Arrakis. (New Mutants Special Edition #1)
THE WARRIORS THREE ARE THE BEST AND ANYONE WHO TELLS YOU OTHERWISE IS FULL OF WRONG. (New Mutants Special Edition #1)
Fire-elf Magma. (New Mutants Special Edition #1)
Throughout the nine realms, skalds sing of the masterwork fire extinguishers of Nidavellir. (New Mutants Special Edition #1)
The Dani-becomes-a-Valkyrie arc reminds me of the thing where literally everyone else realizes you’re queer before you do. (New Mutants Special Edition #1)
Another Darkchylde panel, because this costume is just so damn good. (New Mutants Special Edition #1)
IT’S STORM AND SHE’S A HAWK AND SHE HAS A TEENY MOHAWK. That’s all. Carry on with your business. (New Mutants Special Edition #1)
Those title cards, though. (X-Men Annual #9)
What, don’t you have a psychic link with your “roommate”? (X-Men Annual #9)
‘Kay. (X-Men Annual #9)
TOO SOON, RACHEL. TOO SOON. (X-Men Annual #9)
Because I was raised by bleeding-heart feminists in the ’80s, I now have “Free to Be… You and Me” stuck in my head. THANKS, CLAREMONT. (X-Men Annual #9)
Aw, man. (X-Men Annual #9)
I want to see a “What If” splinter story where Sam is an epic hero and also basically Carrot from Discworld. I mean, there kind of is one–“What if the New Mutants Had Stayed in Asgard”–but still. MORE. (X-Men Annual #9)
DANI LITERALLY NO ONE IN THIS ROOM HAS PHYSICAL POWERS. (X-Men Annual #9)
Art Adams draws awesome Warlock. (X-Men Annual #9)
WOLF MAKEOUTS! (X-Men Annual #9)
Subtext: Not just for the ladies! (X-Men Annual #9)
This isn’t directly relevant to the episode. It’s just awesome. (X-Men Annual #9)
NOW LET’S GO DEFEAT THE FRENCH! (X-Men Annual #9)
It’s no KRAKADOOM, but I guess it’ll do. (X-Men Annual #9)
Dani is THE BEST VALKYRIE. (X-Men Annual #9)
“Well, at least I have this 1/6-scale statuette to keep me company.” (X-Men Annual #9)
NEXT WEEK: Rachel and Miles get lucky.
LINKS AND FURTHER READING:
The Mighty Thor #362 is one of the best issues of one of the best runs in Marvel history.
For craft wonks, we recommend the hell out of the Thor Artist’s Edition, if you can get your hands on a copy.
Actually, you know what? Just go read the whole Simonson run, right now. It’s collected and available in a bunch of forms. You won’t regret it. we promise.
Once you’re done reading Thor, go watch Leverage, because it is wonderful.
In which Asgardian Wars occupies the precise intersection of Miles’s favorite things; Marvel Asgard is your favorite metal album; no one appreciates Cypher; Wolfsbane gets some action; Warlock gets meta; Cannonball is a catch; Rachel Summers gets a new costume; Loki does Shakespeare; and Rachel overthinks Leverage.
X-PLAINED:
Various Mjolnirs and their attendant powers
Asgardian Wars
New Mutants Special Edition #1
X-Men Annual #9
The Surtwar
Art Adams
Amora the Enchantress
Lorelei
Several pop culture cameos
A really dubious beach party
The Viking Sorceress Asgardian Portrait of Dorian Grey
Ed Grimley
Hrimhari
Wolf makeouts
The Marvel version of Norse mythology
The Warriors Three
Rule #1 of dealing with fairies
A hawk ‘hawk
Valkyries
Einherjar
A costume in somewhat questionable taste
Interdimensional lightning-bolt mixology
Our favorite Thor story, ever
How to get your friends and neighbors into comics
Asgardian mutants (or lack thereof)
X-Leverage cross-casting
NEXT WEEK: Longshot!
You can find a visual companion to this episode on our blog!
Evolution Rogue is awesome. She’s one of the characters who fares best in reimagining–as I wrote about Cyclops in S1E1, Rogue is very recognizably written in the spirit of some of the best previous versions of the character, with the letter flexible enough to let her develop organically in her new context and setting.
So it should be no surprise when I tell you that a lot of the best stuff in the generally pretty shaky and uneven Season One centers around Rogue. And that, my friends, begins here. Lace up your best New Rocks, dig up some black lipstick (or steal your friend’s eyeliner crayon and be careful not to lick your lips), and get ready to rumble.