Everyone in this comic book is yelling at all times. (Cable: Blood and Metal #1)
There is also a lot of leaping. The early ’90s were very leaping-heavy years. (Cable: Blood and Metal #1)
Garrison, you delightful scamp! (Cable: Blood and Metal #1)
That’s right. The Six Pack is named after beer. (Cable: Blood and Metal #1)
Grizzly is kind of a delight in this series. (Cable: Blood and Metal #1)
Stryfe is ALWAYS a delight. (Cable: Blood and Metal #1)
Look at these ridiculous guns. LOOK AT THEM. (Cable: Blood and Metal #2)
Every fight in this series is exuberantly ridiculous, and it’s great. (Cable: Blood and Metal #2)
Cable is a really, really terrible boss. (Cable: Blood and Metal #2)
More leaping! (Cable: Blood and Metal #1)
MORE LEAPING! (Cable: Blood and Metal #1)
Having studied under Cable, Kane knows how to leap into battle. (Cable: Blood and Metal #1)
Blood and Metal also does the action-movie thing where the hardboiled dialogue is often vaguely suggestive. (Cable: Blood and Metal #1)
“It makes sense, though. Having an evil clone runs in my family.” (Cable: Blood and Metal #1)
Yes, Garrison. Ninjas. (Cable: Blood and Metal #2)
That’s Stryfe; and this explains a thing or three. (Cable: Blood and Metal #2)
We forgot to mention this scene in the episode, but at one point, Garrison Kane is just randomly eating a fucking enormous sandwich. (Cable: Blood and Metal #2)
And then on the next page, he dramatically rips his shirt off, because, look, SOMETIMES YOU JUST GOTTA. (Cable: Blood and Metal #2)
Shorts! (Cable: Blood and Metal #2)
Look, if you haven’t worked out that Stryfe looks like Cable by this point in the series, I’m not sure I can help you. (Cable: Blood and Metal #2)
I keep imagining Stryfe yelling, “Brother!” in Liquid Snake’s voice; and now you can, too. (Cable: Blood and Metal #2)
“I also got you some unflattering but comfortable briefs. (Cable: Blood and Metal #2)
The Adventures of Dr. McNinja is a masterpiece of modern literature; plus, it’s by the only person who will ever love Robocop vs. Terminator as much as Jay does.
In which Miles has a Dracula problem; we are really, really excited about FlameCon; Fabian Nicieza is the unsung hero of the early ’90s; Jay doesn’t explain the Iranian Hostage Crisis; Cable does not have a good history with trademark disputes; Cable: Blood and Metal is secretly an allegory for the X-books of the early 1990s; friendship and explosions don’t have to be mutually exclusive; and history evokes but doesn’t quite repeat itself.
X-PLAINED:
Dracula disambiguation
One way to stop a vampire invasion
Wang beams
Cable: Blood and Metal #1-2
The continuing miracle that is Fabian Nicieza
Cable (as established in 1992)
Stryfe
The Wild Pack and/or Six Pack
The ongoing evolution of John Romita, Jr.
Tolliver
Several heists of varying quality
Numerous patches and their contents
How the Wild Pack became the Six Pack
An idiom, examined
A total dick move
Muscles-and-guns power creep
Guns of tomorrow
The McNinja point
A brief flirtation with Magic: The Gathering
A typo that became canon
The new She-Ra
The new, improved Garrison Kane
European nipple lasers
Mr. Richter
The evolution of Cable
NEXT EPISODE: X-Factor gets political.
Check out the visual companion to this episode on our blog!
Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
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And now for something completely different. (X-Force #8)
Fun fact: You can drop this dialogue into almost any panel involving Cable and at least one other character, and it’ll still work. (X-Force #8)
On one hand: Mignola is great. On the other hand: I have some questions about the decision to just straight-up draw Garrison Kane as Marlon Brando. (X-Force #8)
Aw, A.I.M., you wacky kids. (X-Force #8)
Cable’s sense of drama is ON POINT. (X-Force #8)
Domino is pretty genre-aware. (X-Force #9)
Not gonna lie: I dig Liefeld’s take on Blob. (X-Force #9)
If you weren’t imagining Feral’s line in the voice of a 10-year-old Danny Tamberelli, congratulations: you are now. (X-Force #9)
‘Kay. (X-Force #9)
And that, kids, is why balloon placements matter. (I mean, there are a lot of other reasons, too. But this is one of them.) (X-Force #9)
Stryfe’s armor doesn’t just have nipples. Stryfe’s armor has FOUR nipples. (X-Force #10)
Nothing is okay about this picture. (X-Force #10)
Speaking of likenesses, remember the time Cannonball was David Bowie? (X-Force #10)
In which Jay may have Stockholm syndrome; Nick Fury is objectively sillier than G. W. Bridge; we get a brief artistic reprieve; Cable’s legal expertise does not extend to trademarks; our favorite Ship returns; Miles’s grandmother calls it like it is; Sauron is bad at taxonomy; and Garrison Kane is basically a very violent Inspector Gadget.
X-PLAINED:
Brother Mutant
X-Force #8-10
X-Force (again)
A protracted flashback
The Wild and/or Six Pack
A heist
A trap
Yet more Ed Wood references
A future
The Professor (Ship)
Gratuitous face shadows
A mystery
Cable casting
Several misplaced word balloons
The logistics of tentacle arms
The High Lords (Externals)
Michael Bay’s Johnny Got His Gun
General Clark and his diving suit
Good Magneto stories
How to get your dad into X-Men
NEXT EPISODE: Excalibur vs. the Anti-Phoenix!
Check out the visual companion to this episode on our blog!
Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
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All of those facial expressions are great. (X-Men #4)
Ewwwww. (X-Men #4)
File this one under “references that haven’t aged all that coherently.” (X-Men #4)
She yelled so hard it changed the shape of the panels! (X-Men #4)
These jerks and their delightful wardrobe! (X-Men #4)
Why is he allowed to live there, again? (X-Men #4)
That is… an outfit. (X-Men #4)
You can almost hear the inchoate yelling. (X-Men #5)
Cerebro is officially ridiculous. I mean, more ridiculous than usual. (X-Men #5)
Psylocke, just admit that you were sunbathing. No one will judge you. (X-Men #5)
More Fenris fashions. (X-Men #5)
“We worked really hard to reconcile the continuity between these two titles, and we wanted to make damn sure that you appreciated the effort.” (X-Men #5)
Cyclops was right. (X-Men #5)
That’s actually a really cool way to transition into a flashback. (X-Men #5)
“In addition to a Mutant Death Factor, I come with my own exposition!” (X-Men #6)
Someone’s crossed the X-axis! (X-Men #6)
He’s also got a dark pink tie in some panels. (X-Men #6)
SERIOUSLY WHAT ARE THOSE THINGS HE’S STUCK IN (X-Men #7)
Psylocke is the master of the deadpan plot twist. (X-Men #7)
If you don’t automatically hear this line delivered by Christian Kane as Eliot Spencer, I don’t know what to tell you. (X-Men #7)
Maverick. (X-Men #7)
It’s rough to be Alison Blaire. (X-Men #5)
I unironically love this trio of dramatic poses; and also the fact that I absolutely believe that these characters would pose dramatically before fights. (X-Men #6)
Aw. (X-Men #6)
NEXT EPISODE: Larry Stroman somehow manages to make the MLF look cool. (Also, there’s a Hulk crossover.)
I’m fairly sure I’ve linked to “Class of ’64” before, but it’s one of the best-developed reimaginings of the X-Men I’ve found, in or out of canon.
Unfortunately, R. Orion Martin’s “X-Men of Color” series no longer appears to be online, but you can learn more about it here and here. (Also worth reading: Darryl Ayo’s rebuttal to Martin’s article.)
David is on vacation this week! We hope you enjoy this substitute illustration of two gentlemen enjoying each other’s company.
In which Miles is almost caught up on The Gifted (but still hasn’t seen The Prisoner and should be very ashamed of himself); Omega Red is a cool action figure but a boring character; Professor Xavier definitely knows what you did last night; Fenris remains delightfully trashy; Weapon X had an improbably high survival rate; Sabretooth cleans up pretty well; we need to work some new rules for dividing up character voices; the Mojoverse has terrible employee benefits; and mongoose blood will definitely not give you superpowers.
X-PLAINED:
Refugees from the Age of Apocalypse
Creative use of teleportation
X-Modifiers
Jay & Miles at Emerald City Comic Con
X-Men vol. 2 #4-7
The sitcom model of creative logistics
One way to bring someone back to life
Mutant Death Factor
Omega Red (Arkady Gregorivich)
Wolverine’s school pictures
Gambit’s ponytail and the logistics thereof
Sex at the X-Mansion
Fenris fashion
Ritualistic facepalming
Moira MacTaggert’s nightmares
Formalwear and motorcycle safety
An elegantly choreographed cockblock
Retracting tentacle logistics
Carbonadium synthesizers
Dr. Pepper Twizzlers
Ponytails as moral compasses
Sabretooth’s excellent taste in formalwear
Ornithology
Those big, weird tube handcuff things
Cyclops and Wolverine’s eventual friendship
The return of Longshot
What would happen if you gave a human a transfusion of mongoose blood
Some X-Cellent fanfiction
X-details we’d change
NEXT EPISODE: X-Factor Meets the Hulk!
Special thanks to consulting X-Pert and Actual Scientist Dr. Lauriel Earley!
Check out the visual companion to this episode on our blog!
Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
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JUBILEE, NO. God, she’s not even wearing any safety gear. (Wolverine #48)
That, Jubilee, is a Lotus 7. Your mentor’s car. Not as clumsy or overwrought as a DeLorean. An elegant media reference… for a more civilized age. (Wolverine #48)
THAT IS A TERRIBLE WAY TO SHOW SOMEONE THE GUN YOU FOUND. (Wolverine #48)
Actually, Jubilee, Wolverine is 100% in the right here. (Wolverine #48)
No one should ever make this show under any circumstances. (Wolverine #48)
Spoiler: No funky butts are in fact dispensated. (Wolverine #48)
Toldja! It’s Lee Harvey Oswald and Jack Ruby! (Wolverine #49)
WHY DIDN’T YOU JUST WRITE HER NAME FIRST? IT WOULD HAVE FIT! (Wolverine #49)
The calendar is a little silly, but it’s also an incredibly eerie, cool detail. (Wolverine #49)
“I am not a number! I am a free man!” (Wolverine #49)
Sure, it’s a gimmick; but it’s a cool gimmick! (Wolverine #50)
LOOK AT THIS BEAUTIFUL, RIDICULOUS BASTARD AND HIS BEAUTIFUL, RIDICULOUS MOTORCYCLE. (Wolverine #50)
In Hines’s defense, Canada-616 is absolutely terrible. (Wolverine #50)
…and you, in turn, watch the Hydra operatives; as the NSA watches you; and… (Wolverine #50)
I take this to mean that somewhere there’s a splinter universe where Wolverine had an idyllic but ultimately tragic dalliance with a giant artichoke. (Wolverine #50)
HOW MANY YEARS HAS THAT PIECE OF CAKE BEEN SITTING THERE? (Wolverine #50)
I like the idea that the BIG SECRET isn’t that they faked his memories but that they had to reuse sets because of budget constraints. (Wolverine #50)
Sure you are, buddy. (Wolverine #50)
TWIST! (Wolverine #50)
I appreciate the implication that the ultimate horror is a high school prom. (Wolverine #50)
Aw, Logan. Never change. (Wolverine #50)
NEXT EPISODE: Centaur fight at the State Fair (and other educational adventures)!
In which we were on public radio; it’s probably best just to ignore Romulus; Miles still hasn’t seen the Prisoner and should be very ashamed of himself; toy licensing is the stuff of nightmares; you can upgrade your bloodbath for an additional $1.25; Jay may or may not have family ties to Weapon X; we are suckers for die-cut covers; Wolverine knows how to commit to a gag; and you have some pretty remarkable dreams.
X-PLAINED:
Wolverine’s CIA contacts
Murder-related birthday traditions
Wolverine #48-50
The ship Righteous Indignation and the ‘ship Righteous Indignation
Wolverine size creep
Injudicious footwear
Serial sidekicks
Miles’s continual failure to watch The Prisoner
The Summers Crash model of flashbacks
Panties and/or grenades
Several varyingly reliable flashbacks
How memory works
Mastodon
Andre
How memory doesn’t really work
Kids’ toy licensing
Quasimodo’s hangout
Women in Refrigerators
Secret agent skills
The Dalton school of argument
A legitimately cool cover gimmick
Wolverine vs. the Helicarrier
Adamantium handicrafts
Shiva (but not that one)
Silver Fox (again) (kind of)
A cataclysmic memory backlash
Antarctic X-Hijinks
Jay & Miles’s adventures in YOUR DREAMS
NEXT EPISODE: Centaurs of Texas
CORRECTION: Kyle Rayner’s girlfriend was the source of the Women In Refrigerator’s trope–not Hal Jordan’s, as Jay stated in this episode.
You can find the visual companion to this episode on our blog.
Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
We’re in the process of migrating our official shop to TeePublic! Click over to check it out! (You can still find the designs we haven’t moved yet at Redbubble.)
In which almost everyone is better than Romulus; Barry Windsor-Smith continues to draw the best naked X-Men; Jay has strong feelings about Wolverine’s origins; Miles still hasn’t seen The Prisoner; when in doubt, it’s probably Kang the Conqueror and/or Mystique; we remain unqualified to give bear-fighting advice; you should not hide out in a nuclear reactor; and the Coffee-a-Go-Go has probably been turned into a new-wave sushi bar or something.
X-PLAINED:
The Professor (Truett Hudson)
Romulus
Jay & Miles at Rose City Comic Con
Marvel Comics Presents #72-84
“Weapon X”
Backstory attrition
A really good opening montage
Some very effective use of color
Healing hair
The original villain behind Weapon X
A retconned origin of Wolverine’s claws
Dr. Abraham Cornelius
Carol Hines
Terry Gilliam’s Weapon X
Audio vs. text-based mind control
An action figure in dubious taste
The Milgram Experiment
An adaptation we’d like to see
A bad place to hide
Subsequent “Weapon X” retcons
How Cyclops’s powers have (and haven’t) developed
Jay’s general failure at X-tourism
NEXT WEEK: More MCP, featuring “The Retribution Affair” and “God’s Country”!
You can find the visual companion to this episode on our blog.
Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
We’re in the process of migrating our official shop to TeePublic! Click over to check it out! (You can still find the designs we haven’t moved yet at Redbubble.)