As some of you no doubt remember from Episode 7 (waaaaaaay back when), my con sketchbook’stheme is Cyclops Has a Good Day. While the sketchbook itself is purely physical media, you splendid folks will once in a while e-mail me a digital entry, and they are universally delightful.
This week’s comes from Jenny Yule, who has worked out what I am pretty sure is the absolute best recreational use of Cyclops’s powers AND gave me a total nostalgia rush for the weird old Ambroisia game Harry the Handsome Executive, which I would now very much like to see given a superhero revamp. BEHOLD:
Because you demanded it: Probably a Summers Brother t-shirts (light or dark backgrounds) and other gear are now a thing that exist, and which you can purchase using moneydollars!
Welcome to the Wolverine comic that will forever set the bar for Wolverine comics.
Shingen: Totally a dick. (Wolverine #1)
Seriously. This asshole. (Wolverine #1)
Things that never get old: Frank Miller drawing Wolverine beating up on Ninja. (Wolverine #2)
Other things that never get old: Our favorite lady, Yukio! (Wolverine #2)
Okay, look, like 2/3 of this gallery is just going to be us drooling over these amazing Frank Miller fight scenes. Deal with it. (Wolverine #2)
Mariko is less impressed with Miller’s stylish portrayal of gruesome violence. (Wolverine #2)
MORE NINJA! (Wolverine #3)
Yukio, ladies and gentlemen. (Wolverine #3)
Taking a break from drooling over stylish fight scenes to drool over a stylish chase scene. (Wolverine #3)
If you’re not hearing the narration in Steve Blum’s voice, you’re doing Wolverine wrong. (Wolverine #4)
LOOK AT THAT NARRATIVE SYMMETRY. (Wolverine #4)
We were going to choose one or two panels from this fight scene, but, nope, it’s perfect. Deal. (Wolverine #4)
HOLY BALLS FRANK MILLER (Wolverine #4)
The X-Men show up to congratulate Wolverine on the completion of his first solo miniseries. (Uncanny X-Men #172)
Look at that adorable Ninja meet-cute! Also: Pretty sure Smith is taking a cue from Miller with the sudden influx of vertical panels and silhouetted buildings. (Uncanny X-Men #172)
Yeah, look, remember how we said this was gonna all be Miller fight scenes? There will also be a lot of Storm and Yukio, because, Storm and Yukio. (Uncanny X-Men #172)
In which Kitty Pryde realizes that Wolverine has been moonlighting in a significantly less code-sensitive series. (Uncanny X-Men #172)
There is literally nothing that you can tell us that will convince us that these two ladies are not Totally Doin’ It. (Uncanny X-Men #172)
Meanwhile, Rogue and Wolverine bond over casual violence. (Uncanny X-Men #173)
Seriously. (Uncanny X-Men #173)
Totally Doin’ It. (Uncanny X-Men #173)
They should really just hand out little warning pamphlets about Mastermind. What a dick. (Uncanny X-Men #173)
Remember when Madelyne Pryor was AWESOME? Sigh. (Uncanny X-Men #173)
Ooh, burn. (Uncanny X-Men #173)
THAT SINGLE TEAR. (Uncanny X-Men #173)
John Byrne’s original concept for what Wolverine would look like under the mask. He ended up using this design for Sabretooth instead.
In which Wolverine gets his first miniseries, Yukio is still (and forever) the best, we categorically reject the classification “manic pixie dreamgirl,” everything is noir as hell, Wolverine gets an Iron Giant moment, Storm is too cool for your dress code, and we finally made “Probably a Summers Brother” t-shirts.
X-Plained:
X-23
The 1982 Wolverine miniseries
Uncanny X-Men #172-173
Rachel’s Wolverine feelings
An auspicious road trip
Early Frank Miller
A really epic team-up
Plug’n’play storytelling
How to tell a good Wolverine story
Mariko Yashida
Honor
Shingen Yashida
Yukio
The Inverse Law of Ninjas
The Forty-Seven Ronin
Silver Samurai
Viper
A Ninja meet-cute
The Cyclops / Wolverine double standard
The secret origins of Wolverine’s mask and hair
Next Week: The New Mutants meet Team America!
You can find a visual companion to the episode – and links to recommended reading – on our blog.
ORORO, QUEEN OF THE GALAXY, by David Wynne. (Prints available here until October 5.)
Lockheed vs. Pete Wisdom. (Excalibur #97)
Ironically, the thing she’s mad about might be the one time he actually isn’t, but the point stands in general. (X-Men #168)
Lockheed lurks. (X-Men #168)
This isn’t really relevant to the episode–we’re just hoping someone will use it as the basis for a Kitty Pryde magical-girl transformation sequence. (X-Men #168)
Scott and Lee: STILL AWESOME. (X-Men #168)
Before that one Hawkeye thing, there was this. (X-Men #168)
AWESOME TEAM-UP OF AWESOME. (X-Men #168)
But I think we all know the REAL point of X-Men #168. (We’re reviving this for this week’s art challenge – send your Kitty Pryde costume redesigns to xplainthexmen(at)gmail(dot)com!)
Very Nude Nightcrawler. (X-Men #169)
Dragon-sitting is basically the X-Men girlfriend test. (X-Men #169)
Remember that time X-Men straight-up did Barbarella? (Also the time Angel got pinned up by his wings in the Morlock tunnels. No, not that time. The other time.) (X-Men #169)
This cover is slashy in every sense of the word. (X-Men #170)
Well, then. (X-Men #170)
Remember that time Storm straight-up stabbed someone through the heart? BECAUSE THAT DEFINITELY HAPPENED. (X-Men #170)
And then Walt Simonson drew Storm, and we had Feelings. (X-Men #171)
Rogue also has feelings, but they’re less about the transcendent perfection of Simonson’s art than about her out-of-control powers. Sorry, Rogue. (X-Men #171)
Well, that escalated quickly. (X-Men #171)
This might be the most Rogue moment ever. (X-Men #171)
Remember that time Professor X was actually pretty fucking awesome? (X-Men #171)
For full effect, you have to imagine Wolverine’s lines in Steven Blum’s voice. I mean, you should really be doing that anyway. (X-Men #172)
YUKIO. Much, much more about her next week, but she’s the best. (X-Men #172)
For real, there is literally nothing you can say that will convince Rachel that these two are not TOTALLY DOING IT. (X-Men #173)
They really can’t kick her off the team after that. (X-Men #173)
BRB HAVING FEELINGS. (X-Men #173)
Oh. THAT asshole. (X-Men #173)
Meanwhile in Alaska, the most awkward meet-cute ever. (X-Men #168)
Here’s the thing about Scott and Madelyne: they’re actually kind of awesome together. Doomed, but awesome. (X-Men #170)
As a character who’s spent most of his life in a Claremont-written world, Scott is unfamiliar with the concept of coincidence. (X-Men #171)
Then, again, having spent years reading stories set in a Claremont-written world, we find it difficult to believe that this was actually just supposed to have been a coincidence. (X-Men #172)
Lilandra agrees. (X-Men #173)
HEPZIBAH, NEVER CHANGE. (X-Men #174)
This is funny because both of these relationships are super doomed. (X-Men #174)
A brief interlude of adorability from these goofy kids. (X-Men #174)
REMEMBER THAT PRIEST? Yeah. Totally Mastermind. God damnit, Mastermind. (X-Men #174)
Look, it’s a reasonable question under the circumstances. (X-Men #174)
Oh. (X-Men #174)
WELL, THAT ESCALATED QUICKLY. (X-Men #175)
Okay. This looks bad. (X-Men #175)
Really bad. (X-Men #175)
Really, really bad. (X-Men #175)
Cyclops-gritting-his-teeth-and-being-brilliant-in-the-face-of-impossible-odds is the best Cyclops. (X-Men #175)
Ughhhhhhhhhhhhh. (X-Men #175)
Not elegant, but efficient. (X-Men #175)
This is a really good speech, as such things go, but it’s also really funny that he went to the graveyard in his tux. (X-Men #175)
And then they lived happily ever… oh. (X-Men #175)
In which Professor X is (canonically!) a jerk, Miles has Sidrian Hunter feelings, Kitty Pryde is Clarissa Darling with a dragon, we introduce a drinking game, the X-Men do Barbarella, Rachel has a ‘shipper moment, Rogue joins the team, Storm gets a haircut, Mastermind is still the worst, and Madelyne Pryor is underrated.
X-Plained:
Lockheed
Uncanny X-Men #168-175
Reset issues
A one-sided rivalry
The lowest-drama X-romance
The Cream of Wheat box as a metaphor for infinity
Kitty’s Kostume Korner
Rachel’s questionably-canon ships
The Morlocks
Class privilege and the mutant metaphor
Callisto
Caliban
Sunder
Plague
Masque
A dubbing error
Gender dimorphism in superhero media
Storm’s first major character arc
Our single favorite superhero artist
Rogue
Rogue’s accent
A Charles Xavier we can believe in
Yukio
Punk Storm
Madelyne Pryor
Closure
Cyclops vs. formalwear
Art Challenge: Send us your Kitty Pryde costume redesigns–any era, any codename–to xplainthexmen(at)gmail(dot)com
Next Week: Claremont and Miller’s Wolverine!
You can find a visual companion to the episode – and links to recommended reading – on our blog.
Since May, “Probably a Summers Brother” has been by far and away our most-requested shirt. Now, finally, with the help of designer Dylan Todd, IT LIVES.
EDITED TO ADD: There’s now also a version of this design available on light colored t-shirts, stickers, totes, &c! YAYBO!
Video reviews are made possible by the support of our Patreon subscribers. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
A couple weeks ago, I spent some time breaking down my favorite panel from Uncanny X-Men #25, and why it’s both a great Cyclops character beat* and a great illustration (ha!) of how visual storytelling can and should work.
Right now, Uncanny is a semimonthly series, which means it’s alternating between two artists, Chris Bachalo and Kris Anka. That kind of switching off can be risky business: making it work takes a very carefully matched pair of artists, and which commonalities matter most in a given series isn’t always obvious going in.
Bachalo and Anka overlap a lot superficially: they’re both stylish and angular, with clean line art and similar enough visual language to keep the transitions from being too jarring. More significantly, though–and critical to this series in particular–they’re both exceptionally good at conveying emotion through body language.
That’s particularly important here because Uncanny X-Men is currently in large part a book about Cyclops’s personal reckoning with the death of Charles Xavier–the mentor and surrogate father Cyclops killed while possessed by the Phoenix Force. That means it’s a story driven largely by emotional beats–something to which Cyclops is singularly poorly suited on fronts both visual and canonical.
Cyclops is kind of a block of wood. He’s uptight and very guarded–dude’s mantra is “I’m fine,” growled through gritted teeth. There’s nothing fluid about his body language–he’s all stiffness and angles, even in combat but especially in conversation. If you want to make Cyclops emotionally expressive and stay true to the character, you don’t get to use expository dialogue, and you definitely don’t get to use exaggerated expressions. You’re pretty much limited to subtle details.
Now, as it happens, superhero comics have a standard visual shorthand for exactly that scenario. The catch? It usually involves subtle variation in the way you draw their–you guessed it–eyes.
Not really an option here.
That’s where Anka and Bachalo–particularly Anka–come in. Kris Anka isn’t someone I go to when I’m thinking of artists who are masters of facial expressions. He doesn’t have the expressive fluidity of, say, Sara Pichelli or Russell Dauterman, nor the explosive intensity of Bill Sienkiewicz. Anka is all about lines and angles, stylized and sometimes even a little rigid. With Pichelli, you look to eyes and hands; with Dauterman, mouths. With Anka, the emotional beats are all about exaggerated or broken angles: clenched jawlines, sagging shoulders, stances knocked slightly off-kilter. Kris Anka can do a lot with body language.
So: In Uncanny X-Men #26, Cyclops starts out front and center, all false front and righteous indignation:
In fact, Cyclops only talks on one page of <em>Uncanny X-Men</em> #26. After the panel above, he says one more word. And then, over the rest of the issue, he just crumbles.
Watch:
Daaaaaaaaamn, Anka.
*You may have noted that a lot of the more craft-specific posts here have focused on portrayals of Cyclops. There are a couple reasons for that. Cyclops is one of my favorite X-Men characters, but he’s also one it’s really easy to handle poorly, and how well he’s done is–at least for me–a pretty good bar for the general quality of any given series in which he’s part of the main cast. And when Cyclops is done right, he tends to become a locus of interesting visual storytelling, because you’re taking a character who’s by definition not visually demonstrative and dropping them into a static visual medium that’s generally all about exaggerated expression.
At some point, someone pointed out that this is technically Anniversary X, and it was a pretty slippery slope from there.
We are aware that our favorite romance has its share of detractors. We don’t care. (Art by David Wynne.)
Actual photograph of Rachel and Miles at their 8th-grade graduation dance. (X-Men #32)
This is literally as explicit a conversation they have about it for… pretty much the entire Silver Age. (X-Men #32)
Proposal #1. Unfortunately, Jean is a) actually the Phoenix Force, and b) about to die on the moon. (Uncanny X-Men #136)
Not directly pertinent, but it’s one of our favorite moments. (Uncanny X-Men #137)
Scott saying goodbye to Jean immediately before marrying Madelyne Pryor. That really, really didn’t work out, but we like the sentiment–that “true love” doesn’t always have to mean “one true love.” (Uncanny X-Men #175)
Scott doesn’t actually work out that Madelyne and Jean are identical until X-Factor #14. Headcanon: Hella prosopagnosia.
Scott and Jean are reunited in a panel that appears to have fled from Apartment 3-G to X-Factor #1.
Jean gets Madelyne and Phoenix’s memories–and her own telepathy–back. (X-Factor #38)
Proposal #2. (X-Factor #53)
Jean’s response. (X-Factor #53)
“Fatal Attractions” was a rough time for everyone, but probably worst for Wolverine. (X-Men vol. 2 #75)
Fate can go fuck itself. Damn, we love these two. (Uncanny X-Men #308)
There is probably no other panel from the entire 50 years of X-Men that we’ve sent back and forth more than this one. (Uncanny X-Men #308)
He’s actually fighting some dude who broke into the X-mansion and bonding with his time-displaced kid, but the basic principle of failing-at-bachelor-party still stands. (Uncanny X-Men #310)
And now, the main event. (X-Men vol. 2 #30)
Andy Kubert x body language. (X-Men vol. 2 #30)
Charles Xavier of X-Men vol. 2 #30 is the best Charles Xavier.
He also has the best timing. (X-Men vol. 2 #30)
Look at all those X-Men. (X-Men vol. 2 #30)
Can we have a moment of silent appreciation for the fact that Storm managed to find a dress that perfectly encapsulates the 1990s? (X-Men vol. 2 #30)
Best vows? Best vows. (X-Men vol. 2 #30)
Scott, Jean, we’re gonna let you finish… (X-Men vol. 2 #30)
…but Rogue and Gambit’s kiss in X-Men vol. 2 #41 is the best kiss in X-Men.
In which Rachel and Miles celebrate an anniversary with a retrospective of one of the great romances of the Marvel universe; the Summers/Grey family tree is more of a transdimensional strawberry patch; the X-Men play some football; Professor Xavier is not a jerk; and Scott Summers and Jean Grey are the power couple of existentialism.
X-Plained
Summers kids
Scott and Jean
Feelings
X-Men #32
The worst date ever
Madelyne Pryor
Plot-relevant prosopagnosia
Three proposals
X-Factor #53
Uncanny X-Men #308
“Fatal Attractions”
That one panel that gets us every time
X-Men vol. 2 #30
Some really excellent wedding vows
The best kiss in X-Men
Cats Laughing
Why “One” is actually a pretty decent first dance
Existential ramifications of fictional romance
Next week: Rachel and Miles take a much-needed vacation.
Week after next: The New Mutants!
You can find a visual companion to the episode – and links to recommended reading – on our blog.