Jay & Miles X-Plain the X-Men

Tag: Sabretooth

66 – The Mutant Massacre, Part 2

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Art by David Wynne. Prints and cards available until 7/26/2015 in the shop, or contact David for the original.
Art by David Wynne. Prints and cards available until 7/26/2015 in the shop, or contact David for the original.

In which we wrap up our first official two-parter; Gambit ruins everything; Rachel has a theory about Mister Sinister; Marvel communication technology is behind the times; Trish Tilby is tired of your bullshit; Walter Simonson is the best of the best; X-Factor pulls it together; Power Pack gets uncomfortably dark; Miles has Thor feelings; and even more mutants die.

NOTE: This episode is the second of a two-parter! If you haven’t listened to Episode 65, where we cover the first half of the mutant massacre, you should probably do that before you listen to this one!

X-PLAINED:

  • Masque
  • Tentacle disambiguation
  • More of the Mutant Massacre
  • A Sinister hypothesis
  • Several Marauder-related retcons
  • X-Factor #9-11
  • Power Pack #27
  • The Mighty Thor #373-374
  • Trish Tilby
  • Artie & Leech
  • Several awkward reunions
  • Walter Simonson
  • The fall of Angel
  • Apocalypse’s horsemen
  • Yet another crossover that will probably scar the Power kids for life
  • Franklin Richards
  • Thor, Donald Blake, and Sigurd Jarlson
  • The best issue of any comic, ever.
  • The Tunnelers
  • Ongoing repercussions of the Mutant Massacre
  • Rachel & Miles’s horseman identities
  • Which X-Men could and should wield Mjolnir

NEXT WEEK: The New Mutants party like it’s 1299!

You can find a visual companion to this episode on our blog!

Find us on iTunes or Stitcher!

Rachel and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!

Buy prints of this week’s illustration at our shop, or contact David Wynne for the original!

As Mentioned in Episode 65 – The Mutant Massacre, Part 1

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Listen to the episode here.

Art by David Wynne. Prints and cards available until 7/19/2015 in the shop, or contact David for the original.
And so it begins. (Uncanny X-Men #210)
Dazzler vs. Dazzler. (Uncanny X-Men #210)
We’d make a joke about taking a drink for every X-Men/X-Factor near miss, but you’d die of alcohol poisoning before the end of the crossover. (Uncanny X-Men #210)
Aw, Colossus. (Uncanny X-Men #210)
Not sure why Alanis Morisette didn’t bring this up in “Ironic.” (Uncanny X-Men #210)
Good job Kitty. (Uncanny X-Men #210)
Well, damn. (Uncanny X-Men #210)
There’s something really unsettlingly cheery and Silver-Age about this page. (Uncanny X-Men #211)
No idea who the purple individual is, which is a shame, because they seem awesome. (Uncanny X-Men #211)
STORM, NO! DON’T SPLIT THE PARTY! (Uncanny X-Men #211)
Whoa. (Uncanny X-Men #211)
This is the closest they’ll come to an actual conversation until Inferno. (Uncanny X-Men #211)
Whoops. (Uncanny X-Men #211)
So, THAT happened. (Uncanny X-Men #211)
SO, THAT HAPPENED. (Uncanny X-Men #211)
Dani Moonstar’s powers are METAL AS FUCK. (New Mutants #46)
“My powers are limited to the counterculture.” (New Mutants #46)
Powerlessness and the sense of being able to accomplish too little too late are pervasive themes in the Mutant Massacre. (New Mutants #46)
Everything’s sadder when teenagers are reacting to it. (New Mutants #46)
Well, shit. (New Mutants #46)
How have they not learned to listen to Doug by now? He is ALWAYS RIGHT. (New Mutants #46)
Cold, Wolverine. (Uncanny X-Men #212)
In her defense, everything is in fact well and truly fucked. (Uncanny X-Men #212)
And again. See what I meant about the alcohol-poisoning thing? (Uncanny X-Men #212)
You can, however, take a drink when Storm takes off her clothes for no clear reason. (Uncanny X-Men #212)
First mention of the man with the plan! (Uncanny X-Men #212)
Well done, Wolverine! (Uncanny X-Men #212)
I don’t care who you are: Callisto is better at leadership than you. (Uncanny X-Men #212)
It’s cool. It’s just Thor; we’ll be covering that stuff next episode. (Uncanny X-Men #212)
Psylocke’s psychic projection is adorable and also super creepy. (Uncanny X-Men #213)
NOPE NOPE NOPE NOPE NOPE NOPE NOPE NOPE (Uncanny X-Men #213)
Betsy Braddock is hardcore. (Uncanny X-Men #213)
Two classic Claremontisms… (Uncanny X-Men #213)
…on a single page. (Uncanny X-Men #213)
Damn, Psylocke. (Uncanny X-Men #213)
How much do we love Psylocke’s totally femme-princess superhero costume? SO MUCH. (Uncanny X-Men #213)
Next Week: The Mutant Massacre, Part 2!

If you want to follow along with the crossover, you can find a guide to the reading order–and how we’re dividing it between episodes–here.

 

65 – The Mutant Massacre, Part 1

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Podcast: Play in new window | Download

Subscribe: Apple Podcasts | Spotify | Android | RSS

Art by David Wynne. Prints and cards available until 7/19/2015 in the shop, or contact David for the original.
Art by David Wynne. Prints and cards available until 7/19/2015 in the shop, or contact David for the original.

In which we hit the first big X-centric crossover; a lot of Morlocks die; X-Factor is a dark farce; Kitty Pryde talks down a mob without using racial slurs; when Doug Ramsey tells you there’s a problem, you listen; and Callisto should be one of the iconic leaders of the Marvel Universe.

X-PLAINED:

  • Death by intellectual-property dispute
  • The Mutant Massacre
  • Mutant Massacres that might have been
  • Uncanny X-Men #210-213
  • New Mutants #46
  • The Marauders
  • The best way to guarantee the New Mutants’ involvement in a storyline
  • Limbo fashion
  • The responsibility of leadership
  • Wolverine vs. Sabretooth
  • Psylocke vs. Sabretooth
  • The evolution of crossovers
  • Characters we’d like to see more of post-Secret Wars

NEXT WEEK: The Mutant Massacre, Part 2!

You can find a visual companion to this episode on our blog!

Find us on iTunes or Stitcher!

Rachel and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!

Buy prints of this week’s illustration at our shop, or contact David Wynne for the original!

Rachel Recaps X-Men: Evolution
S1E2: The X Impulse

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You know how I said that X-Men: Evolution is really entertaining even when it’s really, really bad? This week, we’re gonna put that to the test. Prepare for more rock puns than you have ever heard in a single 22-minute stretch. Also, Transformers. Kinda.

In other news, I still have no idea what the titles refer to.

BUT FIRST, A PRETEND HORROR MOVIE!

We open with the Pryde home, in a fictional town in Illinois. The town has a name, but I don’t care what it is, and it’s never going to be relevant again, so I’m just gonna call it Fake Deerfield. Cool? Cool.

OH, MY GOD, IT'S CINEMATOGRAPHY!
OH, MY GOD, IT’S GRATUITOUS LIGHTNING!

Kitty dreams that she’s falling, and–spoiler–she actually falls through her bed and floor and lands in the basement. She wakes up screaming, and her parents rush down to comfort her. They think she was sleepwalking–until they look up and a PORTENTOUS FLASH OF LIGHTNING illuminates her blanket, embedded in the basement ceiling.

OH MY GOD! THAT’S–actually, wait, that’s not scary at all.

Okay, look, I get what they were shooting for here, but you know who has the least horror-movie powers of just about all the X-Men? Hint: It’s definitely Kitty, barring the stories where phased becomes her default state (which this isn’t). Framing this scene and the Prydes’ cheerfully generic suburban house like a horror movie reminds me of one of those recut trailers where you try to make a movie look like a genre it obviously isn’t; or a kid telling a shaggy-dog joke and then waiting for you to be overjoyed at the lack of punchline; or the entire movie White Noise.1 It’s all buildup, with no proportionate payoff.

NOPE!
Ew, Cerebro, no. Don’t do that.

Meanwhile, back at Stately Xavier Manor, Kitty’s late-night spill pings Cerebro. Does anyone else find it unsettling that Professor X has a psychic supercomputer that provides him with turnaround full body scans of teenagers?

Also, Cerebro accurately predicts the outfit that Kitty is going to wear to school the next day.2

“What am I?” wails Kitty. “What’s happening to me?” Just give it five seconds, kid–the credits montage identifies you quite clearly as Shadowcat.

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Rachel Recaps X-Men: Evolution
S1E1: Strategy X

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I was a little too old to catch X-Men: Evolution the first time around. It debuted my freshman year of college, corresponding with the peak of my nerd pretension—that larval-geek phase where you insist on calling all comics graphic novels—and like the arch little fucker I was, I dismissed it sight-unseen as X-Men dumbed down.

A few years ago, I finally sat down and watched my way through X-Men: Evolution and came away with two conclusions: teenage Rachel was kind of a dolt; and X-Men: Evolution is delightful.

Not only is Evolution not X-Men dumbed down, it’s a really clever, appealing reinvention. In fact, Evolution accomplishes what the Ultimate universe never quite could: shaking off years of continuity and attracting an entirely new audience with a distilled version of one of Marvel’s most convoluted lines.

groupshotIf you’re not familiar with X-Men: Evolution, the premise is roughly thus: The Xavier Institute is an extracurricular boarding school of sorts, whose students are mainstreamed into their district school—Bayville High—for academics. Some of the characters—Storm, Wolverine, and Professor Xavier on the side of the angels; Mystique, Magneto, and a few others on the other end of the moral spectrum—stay adults; everyone else is aged down to teenagers. Evolution draws characters and some story hooks from the comics, but for the most part, it occupies its own discrete continuity.

And as continuities go, it’s a good one. It’s clever and fun, it’s got a ton of heart, and it stays true to the core themes and characters of the source material without becoming overly beholden to the letter of the text. By the end, it’ll become a really, really good show; but even when it’s bad, X-Men: Evolution is bad in really entertaining ways.

Which is important, because X-Men: Evolution gets off to a pretty rocky start.

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