Evolution Rogue is awesome. She’s one of the characters who fares best in reimagining–as I wrote about Cyclops in S1E1, Rogue is very recognizably written in the spirit of some of the best previous versions of the character, with the letter flexible enough to let her develop organically in her new context and setting.
So it should be no surprise when I tell you that a lot of the best stuff in the generally pretty shaky and uneven Season One centers around Rogue. And that, my friends, begins here. Lace up your best New Rocks, dig up some black lipstick (or steal your friend’s eyeliner crayon and be careful not to lick your lips), and get ready to rumble.
You know how I said that X-Men: Evolution is really entertaining even when it’s really, really bad? This week, we’re gonna put that to the test. Prepare for more rock puns than you have ever heard in a single 22-minute stretch. Also, Transformers. Kinda.
In other news, I still have no idea what the titles refer to.
BUT FIRST, A PRETEND HORROR MOVIE!
We open with the Pryde home, in a fictional town in Illinois. The town has a name, but I don’t care what it is, and it’s never going to be relevant again, so I’m just gonna call it Fake Deerfield. Cool? Cool.
OH, MY GOD, IT’S GRATUITOUS LIGHTNING!
Kitty dreams that she’s falling, and–spoiler–she actually falls through her bed and floor and lands in the basement. She wakes up screaming, and her parents rush down to comfort her. They think she was sleepwalking–until they look up and a PORTENTOUS FLASH OF LIGHTNING illuminates her blanket, embedded in the basement ceiling.
OH MY GOD! THAT’S–actually, wait, that’s not scary at all.
Okay, look, I get what they were shooting for here, but you know who has the least horror-movie powers of just about all the X-Men? Hint: It’s definitely Kitty, barring the stories where phased becomes her default state (which this isn’t). Framing this scene and the Prydes’ cheerfully generic suburban house like a horror movie reminds me of one of those recut trailers where you try to make a movie look like a genre it obviously isn’t; or a kid telling a shaggy-dog joke and then waiting for you to be overjoyed at the lack of punchline; or the entire movie White Noise.1 It’s all buildup, with no proportionate payoff.
Ew, Cerebro, no. Don’t do that.
Meanwhile, back at Stately Xavier Manor, Kitty’s late-night spill pings Cerebro. Does anyone else find it unsettling that Professor X has a psychic supercomputer that provides him with turnaroundfull body scans of teenagers?
Also, Cerebro accurately predicts the outfit that Kitty is going to wear to school the next day.2
“What am I?” wails Kitty. “What’s happening to me?” Just give it five seconds, kid–the credits montage identifies you quite clearly as Shadowcat.
I was a little too old to catch X-Men: Evolution the first time around. It debuted my freshman year of college, corresponding with the peak of my nerd pretension—that larval-geek phase where you insist on calling all comics graphic novels—and like the arch little fucker I was, I dismissed it sight-unseen as X-Men dumbed down.
A few years ago, I finally sat down and watched my way through X-Men: Evolution and came away with two conclusions: teenage Rachel was kind of a dolt; and X-Men: Evolution is delightful.
Not only is Evolution not X-Men dumbed down, it’s a really clever, appealing reinvention. In fact, Evolution accomplishes what the Ultimate universe never quite could: shaking off years of continuity and attracting an entirely new audience with a distilled version of one of Marvel’s most convoluted lines.
If you’re not familiar with X-Men: Evolution, the premise is roughly thus: The Xavier Institute is an extracurricular boarding school of sorts, whose students are mainstreamed into their district school—Bayville High—for academics. Some of the characters—Storm, Wolverine, and Professor Xavier on the side of the angels; Mystique, Magneto, and a few others on the other end of the moral spectrum—stay adults; everyone else is aged down to teenagers. Evolution draws characters and some story hooks from the comics, but for the most part, it occupies its own discrete continuity.
And as continuities go, it’s a good one. It’s clever and fun, it’s got a ton of heart, and it stays true to the core themes and characters of the source material without becoming overly beholden to the letter of the text. By the end, it’ll become a really, really good show; but even when it’s bad, X-Men: Evolution is bad in really entertaining ways.
Which is important, because X-Men: Evolution gets off to a pretty rocky start.
Art by David Wynne. Prints, cards, and travel mugs available until 2/22/2015 in the shop, or contact David for the original.
Ruth and Luca Aldine. (X-Men: Legacy vol. 2 #5)
Our introduction to Legion. (New Mutants #25)
Legion has consistently inspired some of the best covers in Marvel’s lineup. (New Mutants #26)
DON’T WEAR FRINGED BOOTS TO THE GYM, TOM CORSI. DON’T DO THAT. (New Mutants #26)
That creepy laughter is so awesome. (New Mutants #26)
VVTOOOOM! (New Mutants #26)
Warlock is the best ever, forever. (New Mutants #26)
WARLOCK IS THE BEST EVER, FOREVER. (New Mutants #26)
Not gonna lie: watching the White Queen take Empath to task was pretty satisfying. (New Mutants #26)
Warlock is not super good at being human, and it is charming as hell. (New Mutants #26)
In which Charles Xavier owns some fairly heinous shit. (New Mutants #26)
No, seriously: Legion covers are pretty much always top notch. (New Mutants #27)
Next time you watch Pink Floyd’s The Wall, pretend it’s about Legion and Professor X. It works surprisingly well. (New Mutants #27)
Jack, Jemail, Cyndi–and David. (New Mutants #27)
Legion’s mindscape. It’s not a Demon Bear, but it’ll do. (New Mutants #27)
Does Jack Wayne scare you? He should. (New Mutants #27)
Cyndi: your angry teenager’s inner angry teenager. (New Mutants #27)
Who needs nuance when you can straight-up stab a dude instead? (New Mutants #27)
Love, love, love this title page. (New Mutants #28)
Lee Forrester contemplates consent, power dynamics, and maybe also Lovecraftian horrors. (New Mutants #28)
The last panel is, of course, a lie. (New Mutants #28)
The first time Legion broke the Marvel Universe. (X-Men vol. 2 #41)
The second time Legion broke the Marvel Universe. (X-Men: Legacy vol. 1 #248)
Legion’s mental prison, at the beginning of X-Men: Legacy vol. 2 #1…
…and after the jailbreak in X-Men: Legacy vol. 2 #2.
The Origamist. (X-Men: Legacy vol. 2 #4)
It is entirely fair to judge X-Men: Legacy vol. 2 by Mike Del Mundo’s gorgeous, brilliant covers.
Seriously, look at this. They are all this good. (X-Men: Legacy vol. 2 #6)
Professor Y. (X-Men: Legacy vol. 2 #6)
Next Week: We were going to cover a whole bunch of X-Men, but we ended up spending the whole time talking about Storm and Lifedeath II. WE REGRET NOTHING.
Art by David Wynne. Prints, cards, and travel mugs available until 2/22/2015 in the shop, or contact David for the original.
In which Legion grows from setting to protagonist; Rachel is a master of narrative rationalization; “Claremont” is a verb; Warlock befriends an airplane; Xavier owns a significant mistake; New Mutants does a deep dive into power dynamics; you should go read X-Men: Legacy already; and Si reveals the true secret nature of reality.
X-PLAINED:
Blindfold (Ruth Aldine)
Luca Aldine
Legion (David Haller)
Mental illness in fiction
New Mutants #26-28
Socialized medicine
Appropriate gym apparel
Rachel’s favorite scene from any X-book, ever
Claremonting
Jack Wayne
Cyndi
Jemail Karami
Roughly 20 years of condensed continuity
The Age of Apocalypse
Age of X
X-Men: Legacy vol. 2
Father issues
David Haller’s accent
The Origamist
Santi Sardina
A visual metaphor
The true secret nature of reality
Professor Y
The Franklin Richards Universe Hypothesis
NEXT WEEK: Spotlight on Storm
You can find a visual companion to this episode on our blog!
Art by David Wynne. Prints and cards available until 2/1/2015 in the shop, or contact David for the original.
In which Nimrod is probably an honorary Summers by this point; Claremont hits a centennial; it’s probably pretty hard to get an unconscious person into tight leather pants; the X-Men finally encounter a world that actually hates and fears them; and the Power Pack fits somewhat uneasily with the grown-up Marvel Universe.
X-PLAINED:
Nimrod
Uncanny X-Men #193-195
Thunderbird II (James Proudstar)
Situation-inappropriate attire
The worst Hellions
Firestar (Angelica Jones)
Why you call ahead before breaking into NORAD
Leadership
Public opinion
Juggernaut fights
How the X-Men wake up
Nazgûl
Tyranny of the Masses: The Robot
The Voltron Special
The Power Pack
Navigating crossovers
NEXT WEEK: Firestar!
You can find a visual companion to this episode on our blog!
Art by David Wynne. Prints and travel mugs available until 1/11/2015 in the shop, or contact David for the original.
The Amazing Nightcrawler, drawn by The Amazing Sienkiewicz! (New Mutants #22)
Nightcrawler is a pretty awesome teacher; it’d have been cool to see more of him in this capacity. (New Mutants #22)
Aw, Rahne. (New Mutants #22)
Well, that escalated quickly. (New Mutants #22)
AW, RAHNE. (New Mutants #22)
The villains of Rahne’s fairy tale look awfully familiar. (New Mutants #22)
Back to those guys shortly. First: Cats! (Marvel Team-Up Annual #6)
Ohhhh, hey, it’s Cloak and Dagger! (Marvel Team-Up Annual #6)
Spider-Man spends a lot of this issue lurking around and providing exposition. (Marvel Team-Up Annual #6)
“I mean, dude, the title of the book is Marvel Team-Up, not Marvel Let’s Fight in a Church.” (Marvel Team-Up Annual #6)
“How did you guess you were on a butcher block? I mean, aside from that it’s a big square table and you’re in a slaughterhouse and everything probably smells like blood and… NOPE! DEFINTELY SUPERPOWERS AT WORK!” (Marvel Team-Up Annual #6)
What?! Dude, it’s not even addictive. That’s the stupidest evil plan ever. (Marvel Team-Up Annual #6)
This isn’t really relevant to the episode; it’s just hilarious. (Marvel Team-Up Annual #6)
NONE MORE GOTH (Marvel Team-Up Annual #6)
Wait, what? (Marvel Team-Up Annual #6)
‘Kay. (Marvel Team-Up Annual #6)
Spider-Man’s “Yeah.” in that last panel, though. (Marvel Team-Up Annual #6)
THAT COVER. (New Mutants #23)
“On Wednesdays, we dress glam.” (New Mutants #23)
Harry’s Hideaway is basically the Heartbreak Hotel of Salem Center, but like a million times less awesome. Still awesome, mind, but the Heartbreak Hotel sets a high bar. (New Mutants #23)
It’s really easy to forget that the X-Men are also kind of officially students? Maybe? Sometimes? (New Mutants #23)
At this point, New Mutants is basically the Sam and Dani Show, and we are 100% down with that. (New Mutants #23)
Aw, Rahne. (New Mutants #23)
WELL, THAT CAN’T BE GOOD. (New Mutants #23)
That is… an awfully Demon Bear-looking Sunspot on that cover. Not that we’re complaining, mind. (New Mutants #24)
Now you don’t need to read Marvel Team-Up Annual #6! You’re welcome! (New Mutants #24)
Indulge us in a momentary digression to make note of Magneto’s fancy hair. (New Mutants #24)
Like Rogue, we are firmly on Sam’s team on this one. (New Mutants #24)
Oops. (New Mutants #24)
We’re not sure whose fault they are, but we’re really, really into the way some combination of Claremont, Orzechowski, and Sienkiewicz uses captions and arrows in this book in general, and this spread in particular. (New Mutants #25)
GIANT BLUE XAVIER HEAD! (With some paradoxically good advice, but still. GIANT BLUE XAVIER HEAD!) (New Mutants #25)
‘Kay. (New Mutants #25)
I really want them to just yell “NONE MORE GOTH” every time they teleport away. (New Mutants #25)
Illyana may be sleepy, but she’s not wrong. (New Mutants #25)
NONE MORE GOTH! (New Mutants #25)
NEXT WEEK: We talk to G. Willow Wilson! She talks to us! ALSO: X-MEN!
Links and Further Reading:
Information and links to donate toward Bill Mantlo’s ongoing care
(You can also send physical donations–and cards and letters–addressed as follows:
Mike Mantlo
26364 East Pintail Road
Long Neck, DE 19966
Please make out any checks to “Michael Mantlo” — Bill’s legal guardian.)
Waiting for the T is absolutely delightful, and if you’re not already reading it, we acutely envy you the experience of going back through the archives for the first time.
Art by David Wynne. Prints and travel mugs available until 1/11/2015 in the shop, or contact David for the original.
In which Miles and his Doom voice return triumphant; we reach an understanding regarding Lila Cheney; Mob science is pretty shoddy; Magneto has fancy hair; New Mutants Xavier is Best Xavier; no one is more goth than Cloak and Dagger; and you can have Rachel’s Speed Racer references when you pry them from her cold, dead hands.
X-Plained:
Spider-Man crossovers
Cats
Marvel Team-Up Annual #6
New Mutants #22-25
Phone calls with bears
Glam day at the Hellfire Club
Rahne’s fairytale
Cloak & Dagger
Drugs
Eldritch curtains
A seriously flawed evil plan
Harry’s Hideaway
The Sam and Dani Show
Magneto’s hair
Quicksilver and Scarlet Witch’s parentage
Waiting for the T
Whether Cloak and Dagger are mutants
How to buy original art
NEXT WEEK: G. Willow Wilson!
You can find a visual companion to this episode on our blog!
Well, that’s a hell of an opening. (God Loves, Man Kills)
Remember when Kitty Pryde was scrappy as hell? (God Loves, Man Kills)
We just really love this dialogue. (God Loves, Man Kills)
In which Xavier and Stryker do their best Carter/Reagan. (God Loves, Man Kills)
TEAMWORK! (God Loves, Man Kills)
Whoa. (God Loves, Man Kills)
OH, HELL, YES. (God Loves, Man Kills)
Classic. (God Loves, Man Kills)
If only this had involved his magnetic personality. But no. Just slightly different torture. (God Loves, Man Kills)
WELL, THAT ESCALATED QUICKLY. (God Loves, Man Kills)
Stryker is such a Bond villain. (God Loves, Man Kills)
Um. Wow. (God Loves, Man Kills)
Magneto is so awesome in this story. (God Loves, Man Kills)
Can we talk about how Brent Anderson is one of the all-time great unsung X-artists? Because he really is. (God Loves, Man Kills)
CHARLES, NOOOOOO (God Loves, Man Kills)
Nightcrawler, you lovable scamp. (God Loves, Man Kills)
“It’s okay! He put it back!” (God Loves, Man Kills)
Damn, Stryker. That’s cold.
Cyclops solves problems with ricochets! Take a drink! (God Loves, Man Kills)
He’s not wrong, but damn. (God Loves, Man Kills)
Even if you’ve not read the book, you’ve probably seen this moment referenced at least once. (God Loves, Man Kills)
We have fairly different feelings about the strengths and weaknesses of this layout, but we agree that it is damn stylish. (God Loves, Man Kills)
Didn’t mention this in the episode, but it’s kind of amazing how directly this penultimate scene visually echoes Xavier’s earlier mid-brainwashing encounter with Stryker. (God Loves, Man Kills)
Next Week: Rachel and Chris Sims X-Plain Arcade!
THE 2014 SUPER DOCTOR ASTRONAUT PETER CORBEAU AWARDS FOR EXCELLENCE IN X-CELLENCE
Best X-Writer – Brian Michael Bendis, for Uncanny X-Men, All-New X-Men, and general line architecture
Best X-Artist – Kris Anka, for Uncanny X-Men and general visual and costuming impact
Best X-Colorist – Chris Sotomayor, for Cyclops
Best X-Letterer (Now and Forever) – Tom Orzechowski, for everything ever forever
Jean Grey Award for Creative Resurrection – Nightcrawler (Amazing X-Men)
Best New Character – Forget-Me-Not (X-Men Legacy #300)
Best Complete Arc – Cyclops #1-5, by Greg Rucka, Russell Dauterman, Chris Sotomayor, Carmen Carnero, et. al.
Best Soap Opera – All-New X-Men, by Brian Michael Bendis et. al.
Silver Lining Award – Death of Wolverine: The Logan Legacy #4, by Marguerite Bennett, Juan Doe, et. al.
Golden Retcon – X-Men: Days of Future Past
Irene Adler Award for Most Anticipated Future Run – G. Willow Wilson on X-Men
About Damn Time – Storm, by Greg Pak et. al.
Cyclops Has a Good Day Award – Wolverine and the X-Men #40, by Jason Aaron, Pepe Larraz, et. al.
Best Listeners of Any Podcast Ever – YOU*
*Details of the Corbeau Coloring Contest will go up on Monday, because Rachel’s parents are visiting this weekend. We appreciate your patience.
CLASSIC CORBEAUS (for older X-material covered in the podcast during 2014)
Harvey and Janet Award for Best Walk-On – The staff and guests of the Heartbreak Hotel
Lost Treasure – Beauty and the Beast, by Ann Nocenti, Don Perlin, et. al.
Sure, Why Not? – The Leprechauns of Cassidy Keep
Still the Best Issue After All These Years – Uncanny X-Men vol. 1 #137
LINKS AND ADDITIONAL READING
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