You’ve come a long way from tick-tick-boom, Tabitha. (X-Force #63)
Dammit, X-Force! You were already living in the same house as the X-Men, and now you have their color scheme too? (X-Force #63)
When continuity is character. (X-Force #63)
Oh, great, it’s that dream again. (X-Force #63)
Yep, Lila Cheney is just that good. (X-Force #63)
“Alright, Agents! Just like we practiced: POSE!” (X-Force #63)
Ah, come on, Bobby – you’ve been to space and multiple other dimensions. Get over yourself. (X-Force #64)
Meanwhile in Spookytown (X-Force #64)
GAVEEDRA BENJAMIN SEVEN YOU PUT THOSE SWORDS DOWN RIGHT NOW OR I SWEAR (X-Force #64)
But… but ambush is the exact thing you just did! (X-Force #64)
We immediately love John Francis Moore’s Meltdown. (X-Force #64)
We’ve missed you, Julio. (X-Force #64)
Michael McCain, AKA Forearm, AKA a guy in a shirt best described as “normal”. (Cable & X-Force Annual 1997)
You put that down! Bad dog! Drop it! DROP IT! (Cable & X-Force Annual 1997)
Meltdown auditions for Jay & Miles X-Plain the X-Men. (Cable & X-Force Annual 1997)
Like the Rainbow Bridge but somehow more cosmic! Or at least differently cosmic. (Cable & X-Force Annual 1997)
Presenting Malekith the Accursed. (Cable & X-Force Annual 1997)
Is Caliban huge or is Shatterstar tiny? The world will never know! (Cable & X-Force Annual 1997)
Our high school English teacher always told us we needed to learn the rules of writing so we could more effectively break them. This page does that with its panel borders. (Cable & X-Force Annual 1997)
Mutants and dwarves and giants, oh my! (Cable & X-Force Annual 1997)
Hela: goddess of death and high fashion. (Cable & X-Force Annual 1997)
In which we begin John Francis Moore’s run on X-Force; Latveria is less fun without Doctor Doom; there may still be a tiny clone of Meltdown running around; Forearm is a good pal; Marvel Asgard is a realm of crossover fan fiction; and you should totally watch both Our Flag Means Death and Doom Patrol.
X-Force & Cable Annual 1997
Life after Onslaught
Dr. Doom’s time podium
Aragorn (but not that one)
The Mutant Liberation Front (again) (briefly)
A large dog who may or may not have eaten a horse
Valkyries (more) (again)
What all the former New Mutants are up to
Yggdrasil and the Nine Realms (again)
Malekith the Accursed
Kindra the Dwarf (again)
Skadi the Frost Giant
Hela (again) (briefly)
Doctor Who analogs
What we miss about the Silver Age
NEXT WEEK: Hawk Talk
NEXT EPISODE: Domino goes solo!
Check out the visual companion to this episode on our blog!
In which a whole lot of things burn; Nightcrawler gets gritty; it’s hard to be Dead Man Wade; Apocalypse’s IT department has some explaining to do; Mystique is the most mom of all moms; Doug Ramsey dies (again); and Jay will fight anyone who says comics can’t be “real” literature.
Cain Marko of Earth-295
Destiny of Earth-295
Nightcrawler of Earth-295
Ghost Dance (actual)
Ghost Dance (fictional)
John Proudstar of Earth-295
The Infernal Gallop vs. the Infernal Galop
Moonstar of Earth-295
Dead Man Wade
The Pale Riders
Videoconferencing software of Earth-295
Callisto of Earth-295
A lot of murders
A really dark historical precedent
Death by existential crisis
The worst plan
Variations on the death of Doug Ramsey
Geography of the Age of Apocalypse
The rest of the Marvel books during the Age of Apocalypse
Jay vs. Western canon
NEXT EPISODE: Gambit and the X-Ternals
Check out the visual companion to this episode on our blog.
In which we return to Rose City Comic Con and somehow manage to one-up last year’s Stryfe cold open; Greg Pak has secretly written all of the X-books; Cullen Bunn may or may not be watching you RIGHT NOW; the X-Men distill down to murder and kissing; Toshiro Mifune should be everybody; Miles swears first (for once); and we can’t wait to see all of your X-Men roller derby names!
Cold open escalation
Marrying history and narrative
Murder and kissing
X-Treme X-Men vol. 2
Reimagining characters across the multiverse
Governor-General James Howlett
Where superheroes should and shouldn’t intersect with geopolitical events
Our X-Men buddy-cop duos of choice
X-Men roller derby names
Contemporary vs. retrospective representations of current events
NEXT WEEK: The New Mutants go to Asgard!
There’s not exactly a visual companion to this episode, but you can find a Rose City Comic Con gallery on our blog!
In Episode 43, we talked at some length about Stewart Cadwall, the Steve Gerber caricature from Secret Wars II. As a follow-up, it’s our great pleasure to welcome Douglas Wolk for an extended look at the real-life context around the character. -R
As Episode 43 mentions, Stewart Cadwall–the whiny ex-comics-writer-gone-Hollywood who comes in for special opprobrium in Secret Wars II #1–is very clearly based on the late Steve Gerber. A little historical background is probably useful here. Gerber and artist Val Mayerik created Howard the Duck in 1973 (he first appeared in a Man-Thing story in Adventure Into Fear #19). Within a few years, Howard had become a pop-culture mini-phenomenon, getting his own comic book series and, in 1977, a daily newspaper strip. Gerber never actually won the Shazam Award that Cadwall brandishes (those were presented by the Academy of Comic Book Arts between 1971 and 1975), although he did win an Inkpot Award in 1978.
Marvel fired Gerber from both the Howard comic book and the daily strip in 1978; this article and its supporting documents go into extensive detail on that period. Subsequent Howard stories were written by Bill Mantlo, Marv Wolfman and a few other people, while Gerber went on to create the animated series Thundarr the Barbarian (of which Secret Wars II‘s Thundersword is a parody).
In 1980, Gerber wrote a graphic novel called Stewart the Rat, starring a Howard-esque character, drawn by former Howard artist Gene Colan and Tom Palmer (with permission from Marvel!), and published by Eclipse. The same year, he filed a suit against Marvel over the rights to Howard; the short-lived Destroyer Duck series, initially written by Gerber and drawn by Jack Kirby, was put together to raise funds for Gerber’s legal bills. By the end of 1982, though, Gerber and Marvel settled the case.
When Gerber returned to writing for Marvel a couple of years later, it was for a 1983 graphic novel and (what was to be a) six-issue 1984 miniseries published by Marvel’s adult-readers imprint Epic, Void Indigo, with Mayerik once again drawing. Void Indigo, set in L.A., was more or less the kind of “blatant gore” that the Stewart Cadwall character talks about; it was axed after two issues of the miniseries were published.
Secret Wars II #1, written by Jim Shooter, who’d become Marvel’s editor-in-chief in 1978, was published in March, 1985. (Shooter has noted that Stewart Cadwall’s last name was originally going to be Gadwall, as in the duck, and claimed that “Steve loved it. He even sent me a rave fan letter.”) Relations between Gerber and Marvel had by this point thawed to the point that Shooter asked Gerber to write a new Howard the Duck story in advance of the Howard movie that was then in the works–a planned two-parter called “Howard the Duck’s Secret Crisis II.” The script for the first issue appears here. It’s a very direct parody of Secret Wars II, involving the Brotherhood of Evil Prepositions: the Arounder, the Withiner, the Amonger, the Underneather, the Betweener, and Of.
Shooter admired it: he later called it “fitting, perfect revenge for Secret Wars II #1.” But he wanted to change the part of the script where Gerber savaged the Howard stories he hadn’t written. They couldn’t come to an agreement on it, and the new Gerber story was never drawn. The next Howard the Duck comic to be published, #32 (which appeared with a January 1986 cover date), had been written by Steven Grant, apparently several years earlier.
Gerber didn’t write anything else for Marvel until 1988, after Shooter had been fired as editor-in-chief. He eventually wrote a few more Howard the Duck stories, including an issue of Spider-Man Team-Up that unofficially crossed over with a Savage Dragon/Destroyer Duck one-shot (here’s Tom Brevoort’s commentary on it and Gerber’s response), and a Marvel MAX miniseries in which Howard became a mouse.
Douglas Wolk writes about comics and music for a bunch of places, and recently wrote Judge Dredd: Mega-City Two. His favorite mutant is Martha Johansson. He lives in Portland, Oregon.