Oh, Evolution Season One. You try so hard. And sometimes you hit your mark: sometimes it’s “Turn of the Rogue.”
And then, sometimes, it’s “SpykeCam.”
Here’s the thing about Spyke: he’s a character born of good intentions and just stunningly thin execution. He’s got a lot of potential, but the actual episodes that focus on him–which are fairly few and far between–and his eventual, deeply dubious fate are almost universally weak. I want to like this dude, and sometimes I really do–but often, it’s in spite of, not because of, the stories built around him.
Ah, well. We’ll always have Dracula: The Rock Musical.
Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
In which the New Mutants learn that they are not, in fact, immortal; Louise Simonson finds her stride; the Ani-Mator makes Cameron Hodge look downright reasonable; hating humans is Magneto’s security blanket; Doug Ramsey dies; and we continue our coverage of the Fall of the Mutants.
X-PLAINED:
Sugar Man
New Mutants #59-61
Bird Brain
The Ani-Mator
The Ani-Mates
Stylistic whiplash
Why you always leave a note
The death of Doug Ramsey
Black Condor’s amazing origin story
Interpersonal dynamics in New Mutants
Parsing ongoing series
Why Doug died
616 characters we’d trade for their Battleworld counterparts
Storytelling trends and the decline of though balloons
NEXT WEEK: …Just Before Dawn
You can find a visual companion to this episode on our blog!
Rachel and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
Art by David Wynne. Prints and cards available until 11/8/2015 at the shop, or contact David to purchase the original.
In which we sit down with one of our favorite writers to talk about his upcoming series; the X-teens take to the road; Season One is kind of Friday Night Lights; good relationships make good stories; and we are really excited for All-New X-Men.
X-PLAINED:
Genesis (Evan Sabahnur)
Dennis Hopeless
Secret origins of X-Men: Season One
All-New X-Men, vol. 2
How to write Jean Grey
Building a team
Why Quentin Quire isn’t in All-New X-Men
All-New in the larger X-line, and the X-line in the larger Marvel Universe
Definitive X-eras
Cable & X-Force
What makes Cable tick
Boom Boom
Colossus and Domino
The narrative case for solid relationships
Favorite villains
Mark Bagley
Character evolution across multiple creative teams
X-teen hobbies
Vegas Valley Comic Book Fest
NEXT WEEK: The New Mutants meet Bird Boy, with mixed results.
There’s no visual companion this week, but you can find a list of links mentioned in this episode on our blog!
Rachel and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
I was a little too old to catch X-Men: Evolution the first time around. It debuted my freshman year of college, corresponding with the peak of my nerd pretension—that larval-geek phase where you insist on calling all comics graphic novels—and like the arch little fucker I was, I dismissed it sight-unseen as X-Men dumbed down.
A few years ago, I finally sat down and watched my way through X-Men: Evolution and came away with two conclusions: teenage Rachel was kind of a dolt; and X-Men: Evolution is delightful.
Not only is Evolution not X-Men dumbed down, it’s a really clever, appealing reinvention. In fact, Evolution accomplishes what the Ultimate universe never quite could: shaking off years of continuity and attracting an entirely new audience with a distilled version of one of Marvel’s most convoluted lines.
If you’re not familiar with X-Men: Evolution, the premise is roughly thus: The Xavier Institute is an extracurricular boarding school of sorts, whose students are mainstreamed into their district school—Bayville High—for academics. Some of the characters—Storm, Wolverine, and Professor Xavier on the side of the angels; Mystique, Magneto, and a few others on the other end of the moral spectrum—stay adults; everyone else is aged down to teenagers. Evolution draws characters and some story hooks from the comics, but for the most part, it occupies its own discrete continuity.
And as continuities go, it’s a good one. It’s clever and fun, it’s got a ton of heart, and it stays true to the core themes and characters of the source material without becoming overly beholden to the letter of the text. By the end, it’ll become a really, really good show; but even when it’s bad, X-Men: Evolution is bad in really entertaining ways.
Which is important, because X-Men: Evolution gets off to a pretty rocky start.
Art by David Wynne. Prints and cards available until 2/1/2015 in the shop, or contact David for the original.
Spider-Man and His Amazing Friends (but not in that order).
Context is irrelevant. (Spider-Man and His Amazing Friends)
“John, dude, can we talk about the fact that you just turned into a fucking bear? No? Okay.” Spider-Man and His Amazing Friends
“It means you’ll be hated and feared! Isn’t that wonderful?” (Firestar #1)
“Professor, is it true what they say about exposition in X-books?” (Firestar #1)
Wait ’til they find out she hasn’t even read Carlyle! (Firestar #1)
Oh. Angelica. Honey. No. (Firestar #1)
I’m pretty sure there’s a Talking Heads music video that starts exactly like this. (Firestar #1)
DON’T TRUST HER, ANGELICA! SHE’LL BLOW UP YOUR HORSE! (Firestar #1)
This horse’s name is Butter Rum. Don’t get too attached. (Firestar #2)
The Emma Frost who actually cares about her students did not make her first appearance until some years later. This Emma Frost is just an unapologetic monster. (Firestar #2)
Emma Frost is the best evil narrator. (Firestar #2)
“What could POSSIBLY go wrong?” (Firestar #2)
Miles ‘ships it SO hard. (Firestar #2)
That horror-movie WHINNEY! in the last panel, though. (Firestar #2)
Remember that time Emma Frost convinced a vulnerable teenage girl that she had killed her beloved horse by becoming sexually aroused? BECAUSE THAT DEFINITELY HAPPENED. (Firestar #2)
“What? This? Oh, no, I build killer robots of ALL my friends.” (Firestar #3)
AHAHAHA OH RANDALL YOU’RE SO DOOMED (Firestar #3)
Firestar X-Plains X-Men #193. (Firestar #3)
Seriously, I’m pretty sure Angelica’s dad being kind of a dick to her is the only thing that saves him from CERTAIN DOOM. (Firestar #3)
(He feels bad about it, though, so he still gets beaten up in the airport.) (Firestar #3)
Why does she throw her drink? We may never know. (Firestar #3)
And then she just straight-up breaks into “Stars” from Les Mis. (Firestar #4)
So sinister! (Firestar #4)
And that’s the end of Randall. (Firestar #4)
Fight scene, or breakin’ it down on the dance floor? YOU BE THE JUDGE! (Firestar #4)
For full effect, you have to imagine Firestar’s dialogue read by Alison Brie as Annie Edison. (Firestar #4)
Art by David Wynne. Prints and cards available until 2/1/2015 in the shop, or contact David for the original.
In which Miles has a brush with nostalgia; Angelica Jones is secretly a Thomas Hardy protagonist; it doesn’t need to make sense if it’s awesome; and Emma Frost really needs a mustache to twirl.
X-Plained:
Trevor Fitzroy
Firestar (Angelica Jones)
Spider-Man and His Amazing Friends
Nostalgia
X-Men, if sometimes the main characters were bears
Inexplicably Australian Wolverine
Ms. Lion
Marvel Divas
Sudsy fun
Superhero sitcoms
Firestar #1-4
Basic palmistry
Generic mean girls
Coen Brothers YA
The reinvention of Emma Frost
Some epic gaslighting
Butter Rum
Mutivac
Miles’s favorite star-crossed ‘ship
Why Thunderbird I has stayed dead
Contextual definitions of “organic”
NEXT WEEK: Secret Wars
You can find a visual companion to this episode on our blog!
Art by David Wynne. Prints and travel mugs available until 1/11/2015 in the shop, or contact David for the original.
The Amazing Nightcrawler, drawn by The Amazing Sienkiewicz! (New Mutants #22)
Nightcrawler is a pretty awesome teacher; it’d have been cool to see more of him in this capacity. (New Mutants #22)
Aw, Rahne. (New Mutants #22)
Well, that escalated quickly. (New Mutants #22)
AW, RAHNE. (New Mutants #22)
The villains of Rahne’s fairy tale look awfully familiar. (New Mutants #22)
Back to those guys shortly. First: Cats! (Marvel Team-Up Annual #6)
Ohhhh, hey, it’s Cloak and Dagger! (Marvel Team-Up Annual #6)
Spider-Man spends a lot of this issue lurking around and providing exposition. (Marvel Team-Up Annual #6)
“I mean, dude, the title of the book is Marvel Team-Up, not Marvel Let’s Fight in a Church.” (Marvel Team-Up Annual #6)
“How did you guess you were on a butcher block? I mean, aside from that it’s a big square table and you’re in a slaughterhouse and everything probably smells like blood and… NOPE! DEFINTELY SUPERPOWERS AT WORK!” (Marvel Team-Up Annual #6)
What?! Dude, it’s not even addictive. That’s the stupidest evil plan ever. (Marvel Team-Up Annual #6)
This isn’t really relevant to the episode; it’s just hilarious. (Marvel Team-Up Annual #6)
NONE MORE GOTH (Marvel Team-Up Annual #6)
Wait, what? (Marvel Team-Up Annual #6)
‘Kay. (Marvel Team-Up Annual #6)
Spider-Man’s “Yeah.” in that last panel, though. (Marvel Team-Up Annual #6)
THAT COVER. (New Mutants #23)
“On Wednesdays, we dress glam.” (New Mutants #23)
Harry’s Hideaway is basically the Heartbreak Hotel of Salem Center, but like a million times less awesome. Still awesome, mind, but the Heartbreak Hotel sets a high bar. (New Mutants #23)
It’s really easy to forget that the X-Men are also kind of officially students? Maybe? Sometimes? (New Mutants #23)
At this point, New Mutants is basically the Sam and Dani Show, and we are 100% down with that. (New Mutants #23)
Aw, Rahne. (New Mutants #23)
WELL, THAT CAN’T BE GOOD. (New Mutants #23)
That is… an awfully Demon Bear-looking Sunspot on that cover. Not that we’re complaining, mind. (New Mutants #24)
Now you don’t need to read Marvel Team-Up Annual #6! You’re welcome! (New Mutants #24)
Indulge us in a momentary digression to make note of Magneto’s fancy hair. (New Mutants #24)
Like Rogue, we are firmly on Sam’s team on this one. (New Mutants #24)
Oops. (New Mutants #24)
We’re not sure whose fault they are, but we’re really, really into the way some combination of Claremont, Orzechowski, and Sienkiewicz uses captions and arrows in this book in general, and this spread in particular. (New Mutants #25)
GIANT BLUE XAVIER HEAD! (With some paradoxically good advice, but still. GIANT BLUE XAVIER HEAD!) (New Mutants #25)
‘Kay. (New Mutants #25)
I really want them to just yell “NONE MORE GOTH” every time they teleport away. (New Mutants #25)
Illyana may be sleepy, but she’s not wrong. (New Mutants #25)
NONE MORE GOTH! (New Mutants #25)
NEXT WEEK: We talk to G. Willow Wilson! She talks to us! ALSO: X-MEN!
Links and Further Reading:
Information and links to donate toward Bill Mantlo’s ongoing care
(You can also send physical donations–and cards and letters–addressed as follows:
Mike Mantlo
26364 East Pintail Road
Long Neck, DE 19966
Please make out any checks to “Michael Mantlo” — Bill’s legal guardian.)
Waiting for the T is absolutely delightful, and if you’re not already reading it, we acutely envy you the experience of going back through the archives for the first time.
Art by David Wynne. Prints and travel mugs available until 1/11/2015 in the shop, or contact David for the original.
In which Miles and his Doom voice return triumphant; we reach an understanding regarding Lila Cheney; Mob science is pretty shoddy; Magneto has fancy hair; New Mutants Xavier is Best Xavier; no one is more goth than Cloak and Dagger; and you can have Rachel’s Speed Racer references when you pry them from her cold, dead hands.
X-Plained:
Spider-Man crossovers
Cats
Marvel Team-Up Annual #6
New Mutants #22-25
Phone calls with bears
Glam day at the Hellfire Club
Rahne’s fairytale
Cloak & Dagger
Drugs
Eldritch curtains
A seriously flawed evil plan
Harry’s Hideaway
The Sam and Dani Show
Magneto’s hair
Quicksilver and Scarlet Witch’s parentage
Waiting for the T
Whether Cloak and Dagger are mutants
How to buy original art
NEXT WEEK: G. Willow Wilson!
You can find a visual companion to this episode on our blog!
