One of those images that has really, really stuck with us over the years. (Uncanny X-Men #314)
It took a lot of self restraint not to post every single drawing of Emma in Bobby’s body from this issue. (Uncanny X-Men #314)
Those Sienkiewicz inks! (Uncanny X-Men #314)
DAMN, Emma. (Uncanny X-Men #314)
You can almost see Generation X forming between the panels. (Uncanny X-Men #314)
Programming a hologram of his dead sister to harangue him in the Danger Room may be the most Bishop move yet. (Uncanny X-Men #314)
He sewed that cape out of SO MANY cheap vinyl Catwoman costumes. (X-Men Annual #18)
Never take teenagers hostage; they’ll just judge you ’til you let them go out of sheer insecurity. (X-Men Annual #18)
[Insert Jude the Obscure joke here.] (X-Men Annual #18)
Don’t fuck with Jean Grey. (X-Men Annual #18)
WHY IS THERE A GIANT SQUID HERE (X-Men Annual #18)
Aw, Bishop. (X-Men Annual #18)
For more of this beautiful friendship, we’d recommend giving canon a miss and going straight to fellow X-Podling Adam Reck’s delightful Bish & Jubes–and, while you’re at it, supporting the collected edition on Kickstarter!
On Fridays, we wear fuchsia. (Uncanny X-Men #315)
That is one sweet coma beard. (Uncanny X-Men #315)
Yes, this is a good speech; but also, I just realized that given that the whole trial happens in space, it definitely falls under maritime law, AND I FORGOT TO MAKE ANY JOKES ABOUT IT IN THE EPISODE. (Uncanny X-Men #315)
NEXT EPISODE: We’re so close to nearly reaching what’s almost the Phalanx Covenant!
LINKS & FURTHER ACTION POINTS
Here’s where to send your strongly worded letter about why Marvel should give us Earth-441:
Marvel Entertainment, LLC
135 W. 50th Street
New York, NY 10020
You can also tweet at them with the hashtag #EarthXPlain!
In which Emma Frost is a better Iceman than Bobby Drake; Generation X is aggressively foreshadowed; Malcolm and Randall are the Rosencrantz and Guildenstern to Bishop’s Hamlet; and we launch a campaign for our own Multiversal designation.
X-PLAINED:
The first time the X-Men met Emma Frost
Uncanny X-Men 314-315
X-Men Annual #18
A game show nobody should ever under any circumstances actually make
Emma Frost’s recruitment tactics
Previously unexplored ice powers
The direct prelude to Generation X
Caliban (more) (again)
SoftPaws(TM)
The giant squids of New York
The neophyte
A trial, kind of
X-Men power fantasies
Earth-X-Plain
NEXT EPISODE: We’re so close to nearly reaching what’s almost the Phalanx Covenant!
Game show music by MusicManiac301; used with permission.
Check out the visual companion to this episode on our blog!
Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
We’re in the process of migrating our official shop to TeePublic! Click over to check it out! (You can still find the designs we haven’t moved yet at Redbubble.)
One of my very favorite humans and authors–as well as a long-time friend of the show–Seanan McGuire was just announced as the writer of the upcoming X-Men: Gold Annual #2 (cover above). I caught up with Seanan on Discord for an x-clusive chat about her history with the X-Men and what it’s like to write your childhood favorites.
Keep going for the full interview, as well as the cover to X-Men: Gold Annual #2 (WITH BUNNIES)!
Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
In which Brett White joins us for a look at the current state of the X-line; Dennis Hopeless helps shed some light on a persistent mystery; Brett has a lot of feelings about the Dark Riders; All-New Wolverine is our everything; All-New X-Men is the new New Mutants; X-Men ’92 is the prize at the bottom of the continuity cereal box; we speculate on potential fatalities in the upcoming Death of X; and everything is probably going to be more or less okay.
X-PLAINED:
Why everyone is mad at Cyclops
The Noodle Incident
How we variously define X-titles
The current state of the X-line
The 8-Month Gap
Secret Wars
Earth 616.1
Extraordinary X-Men (Current series)
Uncanny X-Men (Current series)
All-New Wolverine
Old Man Logan (Current series)
All-New X-Men (Current series)
X-Men: Worst X-Man Ever
X-Men ’92 (Current series)
The Dark Riders
Being personally invested in characters you don’t own
Favorite formats
The mystic end of the X-Men cinematic universe
Mysteries and mysteries
NEXT WEEK: Continuity Has Its Eyes on You: Live from ECCC with Kris Anka, Al Ewing, Scott Koblish, and G. Willow Wilson!
EDITED: NOODLE INCIDENT SUBMISSIONS ARE NOW CLOSED. We’ll be announcing the winners sometime between 4/18 and 4/22. Thank you to everyone who participated!!!
You can find a visual companion to this episode on our blog!
Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
A whole lot of you have been writing in to ask what we think of the recent revelation that the Terrigen Mists are gradually killing off the mutant population of the Marvel Universe. The popular theory of choice seems to be that Marvel has it in for the X-Men: that this is at best a pointless rehash of the M-Day storyline, and at worst a corporate grudge-fueled fictional genocide.
And look: Is Marvel putting more time, energy, and resources into the properties whose entertainment rights they control, and moving those lines front and center in shared-universe stuff? Yeah. But that has been happening roughly forever. In fact, it’s what made the X-Men so prominent in the first place: putting more resources into a line that was at the time tied significantly to the company’s financial success.
This is one of the main liabilities of investing emotionally in a company-owned superhero property: narrative resonance is often going to take a backseat to business. (To an extent, this is one of the main liabilities of investing emotionally in anything that someone else owns or creates: its development will ultimately be informed by priorities other than yours.)
Is Marvel actively sabotaging the X-line? Probably not. Occam’s Razor, y’all: I seriously doubt anyone there has the time–or the imperative–to plan a major arm of a publishing program based on sheer malice. That would be a baffling business move and a phenomenal waste of resources–and it really doesn’t jive with the creative attention that seems to have gone into the post-Secret Wars X-line we’ve seen so far. If Marvel wanted to destroy the X-line, they’d quietly back-burner it, whittle it down to one or two titles–or absorb the headlining characters entirely into other books–and walk away. That’s obviously not happening.
There have been five ongoing X-books announced post-Secret Wars, and we know of at least one other that’s going to be joining them (shhh, don’t tell)–and that’s entirely discounting the many X-affiliated characters who are part of other lineups. You may not like the direction the line is taking–which is fine; again, not every story or arc will appeal to every reader–but the line itself? Probably not going anywhere.
Okay? Okay. So, let’s talk about story.
A lot of the “Marvel is trying to destroy the X-Men” arguments are based on a few preview pages from Extraordinary X-Men, in which it’s revealed that the Terrigen Mists are killing and sterilizing mutants. Which, yes, sucks for mutants, and certainly bodes ill: remember the time Marvel introduced an incurable mutant-targeted virus that devastated the mutant population, destroying the X-line and permanently removing every mutant character from circulation?
Oh, wait.
Adversity is the bread and butter of good stories, especially good superhero stories. Two of the all-time best–and best loved–Daredevil runs are Born Again and The Devil in Cellblock D, and both of them are framed around horrible things happening nonstop to Matt Murdock. This did not happen because Frank Miller and Ed Brubaker hate Daredevil: it happened because adversity makes for good stories. As a writer, the more you love a character or group of characters, the higher the chances that you will throw them to the tigers just to watch them fight their way out. When you love a character, you give them challenges worthy of their narrative potential–and the X-Men, in particular, are a team and a line that historically have shined brightest with their backs to the wall.
The X-Men have been around for more than 50 years. They’re not going anywhere. The quality–and lineup–and the quality of individual titles will ebb and flow, as will their personal resonance for any given reader. (Remember the ‘90s? We do.) You’ll drift away, or you won’t; and you’ll come back, or you won’t; and either way, odds are good that the X-Men will still be around.
Art by David Wynne. Prints and cards available until 4/5/2015 in the shop, or contact David for the original.
Professor Xavier reacts to the Xorn retcons. (Uncanny X-Men #196)
Someone really needs to make a gif out of those three panels on the left. (Uncanny X-Men #196)
Not satisfied with his own series, the Beyonder derails someone else’s. (Uncanny X-Men #196)
This is so ridiculously rude. I mean, what if Father Bowen had been asleep, or naked, or talking to a parishioner, or something? “SURPRISE!” (Uncanny X-Men #196)
Kurt Wagner echoes some common criticisms of Secret Wars. (Uncanny X-Men #196)
Awkward. (Uncanny X-Men #196)
KITTY’S FACE. (Uncanny X-Men #196)
Given the parallels between Rachel Summers and Magneto’s backgrounds, it would have been really cool to see this relationship developed further. (Uncanny X-Men #196)
So doomed. (Uncanny X-Men #197)
Aw, these kids. (Uncanny X-Men #197)
Oh, hi, Phoenix II! (Uncanny X-Men #199)
While we’re on the subject: Check out Allie Kleber’s gorgeous design for a ballgown version of Rachel’s first Phoenix costume!
You can almost hear the slash fiction springing into being. (Uncanny X-Men #199)
We’d make “Rachel and Scott Summers pointedly fail to communicate” a drink cue, but no one’s liver deserves that. (Uncanny X-Men #199)
It is super weird how much Val Cooper looks like Tiffani-Amber Thiessen, given that Thiessen would have been eleven years old when this comic came out. Photo-reference of future past? (Uncanny X-Men #199)
“We’ll start by attacking a dude at a Holocaust memorial. It’ll be great practice for your PR team!” (Uncanny X-Men #199)
Rachel Summers was totally the best Phoenix. (Uncanny X-Men #199)
Magneto is a morally complex individual with really excellent hair. (Uncanny X-Men #199)
No matter how much you love your job, you will never love it as much as Mystique loves hers. (Uncanny X-Men #199)
Magneto’s speech here is important, but what you’re really looking at here is his well-tailored suit. You’d expect him to show up to his trial in something like this, right? (Uncanny X-Men #199)
NOPE. Why wear a conservative suit to your trial when you could wear opera gloves and a sleeveless unitard with an M pointing directly to your crotch? (Uncanny X-Men #200)
Neal Conan x-plains Magneto. (Uncanny X-Men #200)
“The counsels for the prosecution and defense have been selected based on the quality of their Joan Rivers impressions.” (Uncanny X-Men #200)
Oh, these assholes. (Uncanny X-Men #200)
So, basically, it’s Tuesday. Also: best editor’s note ever? Best editor’s note ever. (Uncanny X-Men #200)
I don’t think we talked about it in the episode, but this issue has the best damn sound effects. Seriously, I’m just gonna post a bunch of these, because they are great, and the lettering is aces. (Uncanny X-Men #200)
VYANNG! KRAKOOM! (Uncanny X-Men #200)
SKBOOM! (Uncanny X-Men #200)
RKOW! (Uncanny X-Men #200)
KTHAM! (Uncanny X-Men #200)
ZARK! TUNCH! BDAM! THIS LETTERING, Y’ALL. (Uncanny X-Men #200)
Let’s all take a moment to appreciate Kitty’s hella sweet outfit. (Uncanny X-Men #200)
You’re not wrong, Madelyne. (Uncanny X-Men #200)
There’s something intrinsically hilarious about Starjammers fly-bys. (Uncanny X-Men #200)
KITTY, FOCUS ON THE PROBLEM AT… oh. Sorry. That was in poor taste. (Uncanny X-Men #200)
Pretty sure that last speech balloon was supposed to be Kitty’s, not Scott’s. (Uncanny X-Men #200)
MAGNETO MADE SOME VALID POINTS. (Uncanny X-Men #200)
Agh, god, Tom Orzechowski’s sound effects are SO GOOD. (Uncanny X-Men #200)
Sir James Jaspers: total dick. (Uncanny X-Men #200)
CANON: This lady’s name is Judge Kickass. (Uncanny X-Men #200)
NEXT WEEK: ECCC special, featuring Kris Anka, Marguerite Bennett, Kieron Gillen, and Peter Nguyen! (No idea why this photo is showing up upside down, but it looks kind of rad, so we’re just gonna run with it.)
LINKS AND FURTHER READING:
We covered Uncanny X-Men #196 in Episode 38, and Uncanny X-Men #198 in Episode 45.
NPR reporter Neal Conan is a 100% real dude! For an extra meta moment, you can listen to him interview Stan Lee over here.
Art by David Wynne. Prints and cards available until 3/29/2015 in the shop, or contact David for the original.
In which Magneto makes an official alignment shift; Claremont does a court drama; Professor Xavier makes poor choices; Rachel Summers comes by her communication skills honest; the Strucker kids are the evil Wonder Twins; and the podcast hits a major milestone!
X-PLAINED:
Xorn
Uncanny X-Men #196, 199, and 200
The X-Men status quo circa 1985
Magneto’s alignment shift
Beyonder-related existential crises
A hypothetical murder mystery
Minor vandalism as a harbinger of dark futures
Psi-scream
Brood classified ads
A thematic parallel
The tipping point in Scott and Madelyne’s relationship
The new, improved Magneto
The Professor Who Cried Wolf
Phoenix II
Earth-811/Earth-616 disambiguation
Freedom Force
The Trial of Magneto
NPR-616
James Jaspers
The best editor’s note
The mystery of Magneto’s age
Andrea & Andreas Strucker
What not to wear to court
A super icky sword
Phoenix morality
Sponsorship & conflict of interest
NEXT WEEK: Emerald City Comicon special with Kris Anka, Marguerite Bennett, Kieron Gillen, and Peter Nguyen!
You can find a visual companion to this episode on our blog!