Evolution Rogue is awesome. She’s one of the characters who fares best in reimagining–as I wrote about Cyclops in S1E1, Rogue is very recognizably written in the spirit of some of the best previous versions of the character, with the letter flexible enough to let her develop organically in her new context and setting.
So it should be no surprise when I tell you that a lot of the best stuff in the generally pretty shaky and uneven Season One centers around Rogue. And that, my friends, begins here. Lace up your best New Rocks, dig up some black lipstick (or steal your friend’s eyeliner crayon and be careful not to lick your lips), and get ready to rumble.
Art by David Wynne. Prints, cards, and travel mugs available until 3/1/2015 in the shop, or contact David for the original.
The first page of Lifedeath II. (Uncanny X-Men #198)
Contrast to the first page of Lifedeath I, 12 issues previous. (Uncanny X-Men #186)
Hallucinatory Forge. Check out those background textures, too. (Uncanny X-Men #198)
Barry Windsor Smith’s X-Men. (Uncanny X-Men #198)
Pretty snake. (Uncanny X-Men #198)
Isn’t it cool how when you don’t compulsively draw every woman as super sexy all the time, you can actually tell stories? (Uncanny X-Men #198)
Motion and rhythm in a still medium. (Uncanny X-Men #198)
Didn’t actually talk about these panels in the episode, but can we just take a moment to admire how splendidly Barry Windsor-Smith draws hands? And, y’know, everything else? (Uncanny X-Men #198)
SERIOUSLY, THIS COMIC. THIS IS OUR STORM.(Uncanny X-Men #198)
Tanya Moodie as Hunter in Neverwhere.
Frenzy is both rad as hell and criminally underused. ARE YOU THERE, MARVEL? IT’S ME, RACHEL. (X-Men: Legacy vol. 1 #249)
Idie Okonkwo (Oya) is awesome and adorable and also one of the best new X-characters of the last five years. (Generation Hope #10)
Next Week: A lot of Beauty and the Beast callbacks.
This didn’t actually come up in the episode, but you’ve got just under one week left to get What Would Peter Corbeau Do? t-shirts before they disappear FOREVER.
Art by David Wynne. Prints, cards, and travel mugs available until 3/1/2015 in the shop, or contact David for the original.
In which we discard our regularly scheduled programming to focus on Storm and Lifedeath II; no one draws motion like Barry Windsor-Smith; Storm goes up to eleven; and we really wish we had the frame of reference to place this story in the larger context of diaspora literature.
X-Plained:
Forge
The Adversary
Uncanny X-Men #198 (Lifedeath II)
Storm
The narrative impact of sexualization
Barry Windsor-Smith
Extreme weather in comics
Hallucinatory X-Men
Storm in adaptation
The Storm elevator pitch
Our Storm dream casting
Mjnari
Artist editions
Colonialism
Storm as a liminal figure
NEXT WEEK: The New Mutants Go to the Arena!
You can find a visual companion to this episode on our blog!
I was a little too old to catch X-Men: Evolution the first time around. It debuted my freshman year of college, corresponding with the peak of my nerd pretension—that larval-geek phase where you insist on calling all comics graphic novels—and like the arch little fucker I was, I dismissed it sight-unseen as X-Men dumbed down.
A few years ago, I finally sat down and watched my way through X-Men: Evolution and came away with two conclusions: teenage Rachel was kind of a dolt; and X-Men: Evolution is delightful.
Not only is Evolution not X-Men dumbed down, it’s a really clever, appealing reinvention. In fact, Evolution accomplishes what the Ultimate universe never quite could: shaking off years of continuity and attracting an entirely new audience with a distilled version of one of Marvel’s most convoluted lines.
If you’re not familiar with X-Men: Evolution, the premise is roughly thus: The Xavier Institute is an extracurricular boarding school of sorts, whose students are mainstreamed into their district school—Bayville High—for academics. Some of the characters—Storm, Wolverine, and Professor Xavier on the side of the angels; Mystique, Magneto, and a few others on the other end of the moral spectrum—stay adults; everyone else is aged down to teenagers. Evolution draws characters and some story hooks from the comics, but for the most part, it occupies its own discrete continuity.
And as continuities go, it’s a good one. It’s clever and fun, it’s got a ton of heart, and it stays true to the core themes and characters of the source material without becoming overly beholden to the letter of the text. By the end, it’ll become a really, really good show; but even when it’s bad, X-Men: Evolution is bad in really entertaining ways.
Which is important, because X-Men: Evolution gets off to a pretty rocky start.
Rachel here! ICYMI, they’ve just announced the casting for the three new kids in X-Men: Apocalypse. Let’s take a look:
Sophie Turner as Jean Grey:
Sophie Turner is the only one of the three I’ve seen in anything, ever; and I could not be happier to see her step into Jean Grey’s bright yellow boots. Turner’s a fantastic actress, and Sansa Stark is basically the Jean Grey of Game of Thrones: completely awesome and chronically thrown under the bus by both canon and audience. (Incidentally: talk shit about Sansa stark in the comments, and we will cut you. Sansa rules.)
Alexandra Shipp as Storm:
Totally unfamiliar with Shipp, but she looks like a baby Storm, and she’s not Halle Berry, so that’s two points in her favor.
Tye Sheridan as Cyclops:
With the caveat that I’m no more familiar with this kid than I am with Shipp, can we take a moment to agree that the correct casting for teen Cyclops is and always will be Swing Kids-era Robert Sean Leonard?
If you want to help support the podcast–and see Rachel recap and review all 52 episodes of X-Men Evolution–now might be a good time to click over to our Patreon.
Art by David Wynne. Prints available until 1/25/2015 in the shop, or contact David for the original.
In which writer G. Willow Wilson joins us to talk about her new run on X-Men; the Future is really confusing; we consider the many iterations of Rachel Grey; Storm probably has strong feelings about climate change; and writing for a shared universe takes some seriously fancy footwork.
X-Plained:
Jubilee
Shogo (a little)
The future vs. the Future
X-Men vols. 1-4
The logistics of stepping into a book mid-series
Pigeonholing and “girl” books
The proper pronunciation of Kamala
Storm (again)
Psylocke
M
Rachel Grey (again)
Cross-title coordination
Writing in a shared universe
Super-powered ecology
The gender politics of telepathy
Writing and dialogue across media
Marginalization, intersectionality, and the mutant metaphor
Next Week: Pink robots from the future!
You can find a visual companion to this episode on our blog!
Art by David Wynne. Prints and travel mugs available until 1/11/2015 in the shop, or contact David for the original.
Hope you survive the… oh, wait. (Uncanny X-Men #123)
Next Issue: Spider-Man quotes Atlas Shrugged until the Fantastic Four politely ask him to leave. (Uncanny X-Men #123)
Cyclops: the worst at dates, or definitely the worst at dates? (Uncanny X-Men #123)
Pause for a moment to take in the glory of this perfect murder truck and its perfect sound effects. (Uncanny X-Men #123)
Just for the record, we would TOTALLY read a comic about Cracklin’ Rosa. (Uncanny X-Men #123)
Well. That happened. (Uncanny X-Men #123)
Arcade: Really good at his job, until he’s not. (Uncanny X-Men #123)
It’s a “Hope you survive the experience!” riff! Take a drink! (Uncanny X-Men #123)
Cyclops, look, we know you were kind of raised by a supervillain, but pro tip: people who kidnap you and drop you into funhouse death traps ARE GENERALLY NOT TO BE TRUSTED. (Uncanny X-Men #123)
The sound effect in the blast, tho. (Uncanny X-Men #123)
COSPLAY THIS MAN COSPLAY HIM RIGHT NOW (Uncanny X-Men #123)
If Arcade ever makes it to the big screen, he damn well better be played by Jim Rash. Just sayin’. (Uncanny X-Men #123)
Who gift-wraps the hostages? Do they just have those boxes sitting around? WE MAY NEVER KNOW. (Uncanny X-Men #124)
Cyclops solves problems with optic blasts and geometry! Take a drink! (Uncanny X-Men #124)
‘Kay, then. (Uncanny X-Men #124)
Starring the Most Reluctant X-Men Ever (after that one team Jean Grey put together when Magneto had Professor X hostage in the Savage Land, or I guess probably any other version of the team involving Sunfire). (Uncanny X-Men #146)
Let’s take a moment of silence for how much more awesome this panel would be if Arcade were toying idly with a HeroQuest set. (Uncanny X-Men #146)
GOD, Arcade! Don’t you know ANYTHING? (Uncanny X-Men #146)
More festive pudding-cup hostages! Why? Why not? (Uncanny X-Men #146)
No, but, seriously. (Uncanny X-Men #146)
Phil and Tobe are the Harvey and Janet of Doom Minions. (Uncanny X-Men #147)
Aw, Tobe. You’re a stand-up minion. (Uncanny X-Men #147)
The hell whaaaaat? (Uncanny X-Men #197)
This is kind of like when you go to someone’s house and you’re looking for the bathroom and you open a door that you’re pretty sure is the door to the bathroom and it’s actually a room full of robots dressed up like all your mutual friends. I mean, that happens to other people, right? (Uncanny X-Men #197)
‘Kay. (Uncanny X-Men #197)
THIS TRAIN MONSTER IS SO GOOD. (Uncanny X-Men #197)
You know she’s been saving that one up for like a year. (Uncanny X-Men #197)
I kind of love Arcade and Miss Locke’s original dynamic, before it got super screwed up and sex-murdery. (Uncanny X-Men #197)
NEXT WEEK: Miles returns, and Cloak and Dagger meet the New Mutants!
Places Where You can Find Chris Sims on the Internets:
Art by David Wynne. Prints and travel mugs available until 1/11/2015 in the shop, or contact David for the original.
In which we welcome back Emergency Backup Co-Host Chris Sims; comics writers are basically supervillains; Cyclops is not here to have fun; Spider-Man flirts with objectivism; Murderworld is probably not financially sustainable; you should totally cosplay the Proletarian; Arcade may or may not secretly be the Archie Andrews of Earth-616; and Doctor Doom remains absolutely delightful.
X-Plained
Captain Britain
Arcade
Francisco Scaramanga
The vastly inferior Arcade of Earth-1610
Uncanny X-Men #123-124, 146-147, 197
Chris’s first X-Men
A really sweet truck
Spider-Man’s brief flirtation with objectivism
What the X-Men do on their night off
Hella nipples
Murderworld
Miss Locke
Mr. Chambers
Marvel comics in the Marvel Universe
A large number of elaborate deathtraps
Soviet Nick Fury
The Proletarian
Hostage-wrapping
Phil and Tobe
One way to celebrate your birthday
Avengers Arena
Miss Coriander
The best non-X Arcade stories
The end of Axis Sixis
Arcade at the Arcade
NEXT WEEK: Cloak and Dagger!
You can find a visual companion to this episode on our blog!
Well, that’s a hell of an opening. (God Loves, Man Kills)
Remember when Kitty Pryde was scrappy as hell? (God Loves, Man Kills)
We just really love this dialogue. (God Loves, Man Kills)
In which Xavier and Stryker do their best Carter/Reagan. (God Loves, Man Kills)
TEAMWORK! (God Loves, Man Kills)
Whoa. (God Loves, Man Kills)
OH, HELL, YES. (God Loves, Man Kills)
Classic. (God Loves, Man Kills)
If only this had involved his magnetic personality. But no. Just slightly different torture. (God Loves, Man Kills)
WELL, THAT ESCALATED QUICKLY. (God Loves, Man Kills)
Stryker is such a Bond villain. (God Loves, Man Kills)
Um. Wow. (God Loves, Man Kills)
Magneto is so awesome in this story. (God Loves, Man Kills)
Can we talk about how Brent Anderson is one of the all-time great unsung X-artists? Because he really is. (God Loves, Man Kills)
CHARLES, NOOOOOO (God Loves, Man Kills)
Nightcrawler, you lovable scamp. (God Loves, Man Kills)
“It’s okay! He put it back!” (God Loves, Man Kills)
Damn, Stryker. That’s cold.
Cyclops solves problems with ricochets! Take a drink! (God Loves, Man Kills)
He’s not wrong, but damn. (God Loves, Man Kills)
Even if you’ve not read the book, you’ve probably seen this moment referenced at least once. (God Loves, Man Kills)
We have fairly different feelings about the strengths and weaknesses of this layout, but we agree that it is damn stylish. (God Loves, Man Kills)
Didn’t mention this in the episode, but it’s kind of amazing how directly this penultimate scene visually echoes Xavier’s earlier mid-brainwashing encounter with Stryker. (God Loves, Man Kills)
Next Week: Rachel and Chris Sims X-Plain Arcade!
THE 2014 SUPER DOCTOR ASTRONAUT PETER CORBEAU AWARDS FOR EXCELLENCE IN X-CELLENCE
Best X-Writer – Brian Michael Bendis, for Uncanny X-Men, All-New X-Men, and general line architecture
Best X-Artist – Kris Anka, for Uncanny X-Men and general visual and costuming impact
Best X-Colorist – Chris Sotomayor, for Cyclops
Best X-Letterer (Now and Forever) – Tom Orzechowski, for everything ever forever
Jean Grey Award for Creative Resurrection – Nightcrawler (Amazing X-Men)
Best New Character – Forget-Me-Not (X-Men Legacy #300)
Best Complete Arc – Cyclops #1-5, by Greg Rucka, Russell Dauterman, Chris Sotomayor, Carmen Carnero, et. al.
Best Soap Opera – All-New X-Men, by Brian Michael Bendis et. al.
Silver Lining Award – Death of Wolverine: The Logan Legacy #4, by Marguerite Bennett, Juan Doe, et. al.
Golden Retcon – X-Men: Days of Future Past
Irene Adler Award for Most Anticipated Future Run – G. Willow Wilson on X-Men
About Damn Time – Storm, by Greg Pak et. al.
Cyclops Has a Good Day Award – Wolverine and the X-Men #40, by Jason Aaron, Pepe Larraz, et. al.
Best Listeners of Any Podcast Ever – YOU*
*Details of the Corbeau Coloring Contest will go up on Monday, because Rachel’s parents are visiting this weekend. We appreciate your patience.
CLASSIC CORBEAUS (for older X-material covered in the podcast during 2014)
Harvey and Janet Award for Best Walk-On – The staff and guests of the Heartbreak Hotel
Lost Treasure – Beauty and the Beast, by Ann Nocenti, Don Perlin, et. al.
Sure, Why Not? – The Leprechauns of Cassidy Keep
Still the Best Issue After All These Years – Uncanny X-Men vol. 1 #137
LINKS AND ADDITIONAL READING
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